The powerful tales of seven diverse African-American women are woven together in this 1982 performance of Ntozake Shange's Obie Award-winning landmark play. A breakthrough portrayal of black women's experiences in America, the story combines music, poetry and dance to celebrate their unique culture while painting a poignant portrait of their terrible struggles.
This Pirates of Penzance is primarily a historical document, part of the Broadway Theater Archive television series. It presents, with some inevitable, tiny technical shortcomings, a live 1980 performance in Central Park, not the 1983 movie of the same name that also starred Linda Ronstadt and Kevin Kline. Those who remember that film, which had the benefit of retakes and editing, a lavish production budget, and the spaciousness of a Hollywood studio, may find this video less polished. On its own terms, it is nonetheless thoroughly enjoyable.
A history of rock music during the 1960s, covering everything from the British Invasion that began with the Beatles to the psychedelic sound from San Francisco.
Cinderella is helped to the ball by her fairy godmother in The Royal Ballet's version of the classic fairy tale, using Sergei Prokofiev's music and Frederick Ashton's choreography in a comic ballet.
It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later). This performance captures some of the best Verdi singers of the time doing dear ole wonderful Giuseppi proud.
Debuting on Broadway in 1980, Tintypes is a musical review featuring songs from the early twentieth century providing the audience with a look into that turbulent time in American history. Nominated for three Tony Awards, and winner of several Obie Awards, this production stars Carolyn Mignini, Lynne Thigpen, Trey Wilson, Mary Catherine Wright, and Jerry Zaks.
Filmed over two years in India and the USA, Mark Kidel's award-winning documentary brings together archive footage spanning seven decades of Ravi Shankar's performing life, and provides a definitive account of the late sitar maestro's unique musical career.
This collection of amazing pas de deux from some legendary ballets brings new meaning to the phrase "Meet you at the barre." Among the scintillating dances are several famous terpsichorean partnerships, such as Margot Fonteyn and Rudolph Nureyev in "Le Corsaire." Also featured are Darcey Bussell and Jonathan Cope, Cynthia Harvey and Mikhail Baryshnikov, and several others.
Sir Peter Wright’s 1984 version of The Nutcracker for The Royal Ballet, still performed by the Company, stays close to Hoffmann’s original tale. It emphasises Drosselmeyer’s mission to find a young girl – Clara – who can break the curse imposed by the Mouse King on his nephew Hans Peter and thus restore him to human form. References to Nuremberg and German Christmas traditions are present in the settings, with a kingdom of marzipan featured in Act 2.
La Fanciulla del West, Puccini's penultimate opera is based on a play by David Belasco set at the height of the notorious California gold rush. The composer took three years to complete the work, which, for him, marked a new stylish departure. With more modern harmonic combinations and local melodies, Puccini pieced together a far larger canvas than anything he had tackled before. In this recording, Piero Faggioni's highly detailed staging is matched by Ken Adam's superbly atmospheric sets. Carol Neblett sings the role of Minnie "The Girl of the Gold West," Placido Domingo is as ignitable as ever in the role of Dick Johnson, alias the bandit, Ramirez, and Silvano Carroli sings the sinister sheriff, Jack Rance. Conducted by Nello Santi.
Combining a concert film with a making-of documentary, this presentation provides a dramatization of Franz Schubert's famed song cycle along with a unique look at the collaborative process in bringing the production to the screen. Tenor Ian Bostridge vocalizes the part of the wanderer from Wilhelm Müller's poems (on which the cycle is based), with Julius Drake accompanying him on piano and David Alden directing.
The Louisiana Hayride was a radio show that gave fresh talent a chance to perfect their distinct performance styles before a weekly live audience. During its heyday, between 1948-1958 "the hayride" rivaled even Nashville's famed Grand Ole Opry in the number of listen-ship.
Stiffelio is considered "early Verdi" to musiclogists who classify things, but, in reality, it is a final transition between the maestro's earlier (but most enjoyable) works, and the mature craftsmanship of Rigoletto. Preceded by Luisa Miller (q.v.), there is more dramatic intensity and story line than in the earlier works. The plot centers around Stiffelio, a minister, who discovers that his wife, Mina, has been unfaithful.
Nina Ananiashvili dances the dual roles of Mlada and Cleopatra in this acclaimed production of composer Nikolai Rimsky-Korsakov's "Mlada," directed by Boris Pokrovsky and choreographed by Andrei Petrov. Voislava, the daughter of a scheming prince, is forced to present his rival's bride with a poisoned ring so Voislava can marry him instead -- and her father can take over his kingdom. Will she get her just desserts when the gods intervene?
Director Bruno Monsaingeon stages this live musical journey into the works of Johann Sebastian Bach, featuring virtuoso Marie-Claire Alain playing organs hand-selected to best represent Bach's Baroque style. The tour incorporates venues at which the maestro himself would have performed, such as Haarlem, Rötha, Groningen and Dresden, and includes masterpieces such as Toccata in F Major, Trio Sonata no. 1, Fantasia and Fugue in G Minor, and more.
The Royal Ballet's 1980 production of Tchaikovsky's classic ballet.
Lyon National Opera Chorus and Orchestra production of Mozart's opera
Journey through the afterlife with this informative and entertaining program exploring Dante's epic poem of grandeur and complexity. Delving deep into the enduring allegorical work, the film combines dramatic reenactments, modern images and artists' renderings inspired by the literary masterpiece, as well as visual interpretations by the Topiary Dance Group, location footage of Dante's native Florence and analysis from noted scholars.
Le Villi is an opera-ballet in two acts composed by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, based on the short story Les Willis by Jean-Baptiste Alphonse Karr.
Albert Rosen conducts the Wexford Festival Opera's production of the classic Antonín Dvorák tale about a young woman who defies her parents by insisting on dancing even if it means she must dance with the devil. Anne-Marie Owens plays Kate, who's dismayed to discover that her spontaneous outburst has attracted the attention of one of Lucifer's minions. Joseph Evans stars as Jirka, the handsome shepherd who risks a voyage to hell to rescue her.
