La Compagnie des Indes

Plot: TBA

July 14, 1962. It's the excitement at the famous cabaret "Le Glamour". The alluring singer Lola-Lola begins a new singing tour: we are sold out. But stupor and disaster! In the basement, in the toilets kept by the cantankerous Penelope, we discover a corpse in the ladies' room.

Theatron, the film by the multi-award-winning film-maker Giulio Boato, is an unprecedented portrait of Romeo Castellucci. Castellucci and his theatre company, the Socìetas Raffaello Sanzio, are key protagonists of avantgarde theatre. To a Vivaldi soundtrack, Theatron layers Romeo and Claudia Castellucci’s comments with the testimonies of dramaturgs, composers, choreographers, critics and actors (including Willem Dafoe) who have collaborated with the director. Between rehearsals and international tours, the film is a deep reflection not just on the performances, but also on the connection between the author and the representation of human nature.

Leonard is a couch potato statistician who in his spare time writes railway station novels, with the secret hope of one day being published. After sending a good number of manuscripts that remained unanswered, luck finally smiles on him. His novel is selected by a publishing house. But having signed it with a female pseudonym to satisfy the imperative criteria of the competition, this luck quickly turns into a nightmare.

Theatre play broadcast live from the Théâtre André Malraux in France.

Jean-Marie Bigard plays Clérambard, a ruined squire, his family's slavery slave, cat taster, parish priest eater. Converted after an appearance of Saint Francis of Assisi, he becomes as violent in good as he was in evil. A tailor-made role! He no longer touches animals, even if they are insignificant, he finds purity in girls of joy, pleasure in destitution and he will preach this message on the roads, in a caravan, taking his family on its crusade of love .

Always egocentric and in search of good words, always an assumed homosexual, but this time in couple with a companion whom he loves to martyr, it is now his desire to have a child that will be the crux of the story. He wants a son and he has promised him to two women: Sylvie, his best friend, and Isabelle, the promising actress in his next play! A real battle of "females" will then oppose the two young women, each of a very assertive nature... Five characters who tear each other apart for our greatest pleasure.

A staging of Pascal Rambert's play "Architecture" by himself.

Caroline Estremo, a nurse by profession, decided to bring her first book to the stage: "#infirmière". Instead of plunging into tragedy, she opts for humor: "I wanted to talk about it with humor, because it's more listenable for the general public. We've been on strike for years, marching in the streets, but I have the impression that people no longer hear us or see us. So I chose a different strategy: to make people laugh and make them laugh." It is thus that her one-woman show was born.

A French adaptation of Anton Chekhov's play "The Seagull", staged by Arthur Nauzyciel.

Jérôme Bel's show features the memories of spectators at the Avignon Festival.

Mademoiselle Julie is a naturalistic play written in 1888 by August Strindberg. It is set on Midsummer's Eve on the estate of a Count. The young woman of the title is drawn to a senior servant, a valet named Jean (Nicolas Bouchaud), who is particularly well-traveled, well-mannered and well-read. The action takes place in the kitchen of Mademoiselle Julie's father's manor, where Jean's fiancée, a servant named Christine (Bénédicte Cerutti), cooks and sometimes sleeps while Jean and Miss Julie talk. On this night the relationship between Miss Julie and Jean escalates rapidly to feelings of love and is subsequently consummated. Over the course of the play Miss Julie and Jean battle until Jean convinces her that the only way to escape her predicament is to commit suicide.

A staging of Molière's play "Tartuffe" by Peter Stein.