La Sept

Dah and Jocelyn come from former French colonies to coach their rooster, "S'en fout la mort", for an illicit cock-fight in the basement of a restaurant.

Jeanne d'Arc has succeeded in lifting the siege on Orléans and Charles VII has been ordained King of France. However, she is injured in her failed attempt to take Paris, weakening her position at court. When she is finally captured and put on trial, she finds both her life and the sanctity of her body at stake.

Convinced that only she can lead France to victory against the invading English, Jeanne d'Arc leaves her childhood home to plead Charles, heir to the French throne, to allow her to guide his troops on the battlefield.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Documentary about African political leader Patrice Lumumba, who was Prime Minister of Zaire (now Congo) when he was assassinated in 1961.

A fanciful biopic of legendary conductor Arturo Toscanini as a very young man.

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.

This fairy-tale-like drama, based on a 1904 short story by American poet and feminist author Renée Vivien, tells two opposing versions of the same narrative: one told verbally by Pierre Lenoir, a male narrator at a Victorian dinner party; the other told visually through the behavior of an unnamed woman who meets him on a fantasy cargo boat. The intercutting of the two stories creates a tension between the different world views of the woman and the man.

Events in an idyllic African village are shown in detail in the period just before logging trucks come in and cut down the forest around the villagers, forcing them to move into the wretched shantytowns that surround major cities throughout the undeveloped world. Despite the familiar premise, this surprisingly unsentimental film by Georgian director Otar Ioselliani has several things going for it, beginning with the cinematography and including the natural and unaffected (non-professional) performances of the villagers.

Two retirees obsessed with their desire to know everything put their knowledge into practice in a constantly awkward way.

May, 1946, in Paris young poet Jacques Prevel meets Antonin Artaud, the actor, artist, and writer just released from a mental asylum. Over ten months, we follow the mad Artaud from his cruel coaching of an actress in his "theatre of cruelty" to his semi-friendship with Prevel who buys him drugs and hangs on his every word. Meanwhile, Prevel divides his time between Jany, his blond, young, drug-hazed mistress, and Rolande, his dark-haired, long-suffering wife, who has a child during this time. Cruelty, neglect, poverty, egoism, madness, and the pursuit of art mix on the Left Bank.

Jean and Julie meet again ten years after childhood. Jean has trouble recognizing the grown up girl. Julie is "promised" to Henri, a neighbor. Julie, scathing and capricious, provokes Henri and Jean.

A couple is torn apart for a whole night, evoking old age, death, memories, everyday life together, their work, their anguish.

Part 5 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.

Sylvain Berg, a "professional" unemployed who spends his time hiking and mountain climbing, and "model" bank employee Benoît Constant, who has just been fired and does not want his wife to find out, both find themselves in Françoise Duru's office at an employment agency. Françoise is secretly in love with Sylvain, so in order to keep him close she convinces her employer to give Sylvain a job he doesn't want, instead of Benoit who not only wants it but also has the right qualifications.

A young teacher, Pierre, arrives in Africa in the middle of the small French community. Pierre lets himself be won over by the physical and moral torpor that reigns in this micro-society.

A young girl is deprived of her baby: her descent into hell begins. Still in high-school, Agnès leaves her alcoholic father, finds a boyfriend and gets pregnant. Giving birth to a baby boy, deprived of him by her her stepmother, left by her boyfriend, she find shelter by junkies friends and subsequently turns to prostitution under the name Sabine only to become HIV-positive. In her diary, the young woman recounts her fight against the disease without ever sinking into despair.