Milah van Zuilen, visual artist and forest ecologist in training, uses the square to deal with the habit of people to construct nature. Square Fieldwork is filmed in the Bohemian forest in the Czech Republic and the concrete structure of Barendrecht, The Netherlands.
A documentary on Heinz Hermann Polzer, better known under his pseudonym Drs. P. Polzer was a Swiss singer-songwriter, poet, and prose writer in the Dutch language. His oeuvre consists mainly of macabre novelty songs, with dry humour, surprising twists and an exceptionally inventive and virtuoso use of the Dutch language. Polzer sang his lyrics with a distinctive shaky voice, while accompanying himself on the piano.
Fabian builds his house on an old cart that he will pull himself, with the plan to walk to Serbia. But then it turns out that building the cart in itself is quite a journey. Will the cart ever leave it's place?
Eight years ago director Daan Jongbloed stumbled upon an abandoned farm, which surprisingly was inhabited by 97-year-old farmer Peer. The peacefulness and sobriety in which Peer lives fascinated Daan tremendously. His view of Peer’s rural lifestyle is rather idyllic, but to Peer this is reality. Why does he live the way he does? Who is Peer and what’s troubling him? In an attempt to understand Peer and his perception of life Daan has followed him on and off for the past eight years. Peer cautiously reveals a glimpse of his lonely life and disturbing past.
It’s October 10 2020 and Kim Jong-un presents the largest mobile rocket on Earth. Jippe Liefbroer, Interaction Design student, sees the rocket and thinks: it can be bigger. For his graduation project he built 'Kimmi's worst nightmare', a 31 meter long rocket. That is 1 meter longer than Kim Jung-un's.
As a self-confident emerging talent, classical pianist Djuwa Mroivili is finding her way within the conservative white music world. Djuwa conducts historical research into the 1883 World Exhibition on the current Museumplein in Amsterdam, where people from Dutch colonies were also exhibited. She discovers astonishing parallels with today's classical music programming and uses these new insights to take a radical path of her own.
