Trought History Dracula was a Fiction created by Bram Stoker. A Mi=yth, adaptation to Video which became a vampire forgotten by the man who created him. It is a Documentary to take you back to the origins of Vlad the Impaler while taking place from the bloody witnesses giving us the true story of Dracula...
Three Tajik brothers, Ali, and Kamil Fedor, settled 150 km from Moscow in a makeshift hut, hidden behind a fence. Their life is hard, they speak Russian poorly and live away from their families. Their job is to cut and transport the wood from the forest next door. Every day life is punctuated by the hard work, the daily tasks, card games, drinking and bickering with the Russians in the neighboring village. The film speaks of economic exile, bitter life out of another time, double family for some, and the feeling of not quite here nor longer quite out there…
A deeply felt personal story of Hanna Schygulla filmed in 2012 at a moment when she was moving back to Germany, to Berlin, having lived for twenty years in France.
Jacqueline Gozlan - who left Algeria with her parents in 1961 - nostalgically retraces the history of the Algiers Cinematheque, inseparable from that of the country's Independence, through film extracts and numerous testimonies; notably that of one of its creators, Jean-Michel Arnold, but also of filmmakers such as Merzak Allouache and critics such as Jean Douchet. A place of life for Algerians, the Cinémathèque was the hub of African cinemas. Created in 1965 by Ahmed Hocine, Mahieddine Moussaoui and Jean-Michel Arnold, the Cinémathèque benefited from the excitement of Independence. The Cinematheque becomes a meeting place for Algiers society, future filmmakers find their best school there. In 1969, the Algiers Pan-African Festival brought together all African filmmakers, and from 1970, Boudjemâa Kareche developed a collection of Arab and African films.
A studio. A man and a woman. Moving images on the screen, which he comments on, spurred on by her questions. All the footage was shot from the window of a flat: views of the street, the metro line running above it, the canal, into the windows of the buildings opposite. The flat belongs to the man’s lover, the man is a guest, spending his nights there but never his days. By the canal, young men from Afghanistan set up makeshift shelters as the man looks on, developing increasing sympathy for them. The seasons change, winter, spring, summer.
