Babylon'13

Roma was working in London when the Ukrainian conflict rapidly escalated with Russia’s army rolling across the border of his home. He decides to return to his family, whose town soon becomes a battlefield. While they take shelter in basements, cut off from the rest of their country, Roma joins an air intelligence unit, operating drones to locate the whereabouts of the invading force. As the drone flies, Roma is so close to his family, but in reality, the gulf between them is enormous.

This is not a movie about strategic actions or the history of Donetsk airport defense. This is a film about the lives of Ukrainian guys who are ready to give everything for the sake of freedom and homeland.

A summer’s day in a former German military barrack: children forced to flee Ukraine have found refuge here. In their games, they discover military symbols from the past and link them to their experiences.

This lesson in political revelation focuses on the shooting down of the Malaysian passenger jet MH17 over eastern Ukraine in 2014. A meticulous, investigative exposé that lays bare the mechanisms of Russian warfare.

In 2014 Russia’s hybrid war against Ukraine turns hot. An engineer, actor, soccer coach and florist volunteer to fight on the front line. Unaware of the pivotal role they will play in the war, they discover the meaning of true leadership.

Captured during the events of Euromaidan revolution in Kyiv, Ukraine, an expressive argument looks like something out of the movie by Sergio Leone. Short documentary sketch by Babylon 13. As per Babylon'13 tradition, no filmmakers were initially credited for the short piece, although following festival screenings and awards identified Dmytro Sukholytkyy-Sobchuk as the filmmaker behind it.

The film’s events take place on a single day: August 24, 2022, the day Ukraine celebrates the 31st anniversary of the renewal of independent statehood. The film combines places and people that best capture the country’s wartime spirit. The locations are: the relatively safe cities of Kyiv and Lviv; the cities under daily missile fire of Kharkiv and Mykolaiv; a trench at the frontlines near Donetsk; and the beaches of Odesa. The film presents a day in the life of a beach police patrol, a woman anti-tank missile operator, a water delivery driver, a mortar unit soldier, a rapid assault unit soldier, a 14-year-old pub janitor, an artist and a former member of parliament. Together, these people and places create an engaging mosaic of a day in the life of Ukraine.

This film plays out in Ukraine on a single day: March 14, 2022, the 2,944th day of the Russian-Ukrainian War. In the last few weeks, intense warfare has surreally mixed places and people and created a post-apocalyptic dimension revealing new qualities and roles. Thousands of Kyivans have moved to live in subway stations. The capital city's previously calm suburbs have been transformed into battle zones of destruction and looting by Russian occupiers. People no longer live according to "workdays" or "weekends," counting instead the number of days since Russia's full-scale invasion of Ukraine... The film presents this day in the lives of a pop music star, video engineer, historian, art restorer, polar researcher, and pensioner, who were all forced to radically change their lives.

Through its two parallel plotlines, the film follows the exploits of a volunteer evacuation team in the front lines of Eastern Ukraine, led by young, precociously stoic Anton, as well as the wartime daily lives and unlikely friendship of two elderly women - pragmatic Zinaida and dreamy, starry-eyed Taisia - who decided to stay at their homes in the now de-occupied Chernihiv region. While Anton faces the most visceral horrors of war on a daily basis during his team's urgent, desperate attempts to rescue the most vulnerable, who are often reluctant or unwilling to leave, Zinaida and Taisia seek to pursue any forms of resistance within their power - from praying and writing poetry to hiding historic plaque and reporting intelligence to the Ukrainian military.

Oleh "Simon" Krisenko is a guy from Mykolaiv who went to war in 2014. In civilian life, he was an actor and played in a children's theater. In 2014, when the war started, he immediately joined a volunteer battalion. We filmed Simon during his service in the regiment in 2015, 2016, and 2017. Together with other defenders of Mariupol, he ended up at Azovstal and then in captivity. In May 2023, Simon returned home after a year in Russian captivity. He is currently undergoing rehabilitation. He is actively involved in campaigns and support for the families of prisoners and wounded.

During the full-scale invasion of Ukraine in the spring of 2022, Russian troops occupied the suburbs of the capital for more than a month. This film is dedicated to the educators of the Kyiv region, who did not despair even under shelling, enemy control, and the constant threat to their lives. The viewer will travel through the educational institutions of Hostomel, Irpin, Bucha and Vorzel, to become acquainted with those, who hold, and will be holding in their hands the future of our country.

The film is a story about the officers, soldiers and seamen who did not betray their oath of loyalty to the people of Ukraine and their first hand accounts about Russia's invasion and annexation of Ukraine's Crimean Peninsula. They continue to fulfill their military obligations on land, on sea and in the air today.

The search for a government soldier taken captive on February 20, 2014 in Kyiv takes protester Sashko to the front lines on the East of Ukraine. There he meets Ivan, a Ukrainian volunteer harbouring a secret that could undermine a fragile cease-fire…

Dmytro Kozatsky with the call sign "Orest", head of the press service of the Azov Battalion (Azov Regiment), has been at the Metallurgical Combine Azovstal since the beginning of the siege of Mariupol by the Russian military after their invasion of Ukraine. On the eve of his exit from the shattered factory, he made a farewell film.

"Stronger than Arms", is the history that heats our hearts up with the memory of events and people, who from the time of Euromaidan to the war in the East were building a new Ukraine.

This is a film about the people and a city lost in time and space. It's about the speed at which life can change and about things that remain constant no matter what. The film is based on the events that occurred after the shelling of the district of Skhidniy in the city of Mariupol on January 24, 2015. Shelling was carried our by pro-Russian militants from "GRAD" multiple launch rocket systems.

About the politically incorrect and patriotic adventures of four friends in a mysterious convent full of dangers. This time, to save Ukraine, the heroes plunge into the Russian sabotage Center. Kremlin agents are preparing a terrible crime against civilians. To win, your friends will have to get used to completely new, dangerous roles and come back from the dead several times.

Personal videos from the phones, camcorders, cameras and GoPros of Ukrainian soldiers are woven into a surreal journey to the frontline of the war with Russia. The film shows a bizarre world whose laws are quite different from what we are used to. The behaviour is different, the relationships unfold differently and the humour takes on different notes. The heroes wake up and fall asleep, rejoice and cry, always feeling that the recording may end at any moment.

A revolution changes the social and political 'landscapes' of a country, but first and foremost it changes the physical landscape. For centuries none of the city centers of the world capitals looked nothing like the Maidan in the last few months, which resembles a medieval town and a futuristic fantasy at the same time.

A young filmmaker Ihor finds a hidden and unpublished photo archive of his grandfather Leonid Burlaka, a famous Soviet cinematographer. Discovering a man that he never knew well enough through the damaged pictures, he gets closer to his dementing grandpa, facing the tension between memory and forgetting.