Nomadis Images

A teenager unwittingly reveals a terrible family secret to her new neighbors.

After spending four years in jail, Rafik has only one plan, take his son behind the mountains and show him his amazing discovery.

Reda seemingly has a life of privilege in Algiers, in his late twenties still living at the family home, with a father who has arranged a job and a fiancée. Reda is eager to please, yet the more he tries the more he veers off course.

Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.

The film revolves around the relationship of two teenage sisters in one of Egypt's Nile Delta cities, one of them holds a secret life in the virtual world.

Young Tunisian Hedi lives an ordered life in which he believes there can be no more surprises. His future will play out as other people have planned, until he meets a young woman named Rim at a hotel in Mahdia Hediand. An ostensibly personal story broadens into a panorama of a society in upheaval, an allegory about breaking away from traditions. And a film about the happiness and pain of freedom.

Extremism slices through a Tunisian family with the realization that their teenage son has become an ISIS fighter.

After the death of her husband, Lilia's life revolves solely around her teenage daughter, Salma. Whilst looking for Salma late one night, Lilia stumbles upon a belly dance cabaret and though initially reserved and taken aback by the culture of the place, Lilia gets consistently drawn back to it. She befriends one of the belly dancers and is encouraged into dancing for the audience. Lilia also starts a romance with one of the cabaret's musicians, who unbeknown to both of them, is also romancing Salma.

An 18 year old on the island Djerba, Aicha, is married to Said, who works in Tunis for much of the year. Aicha breaks with tradition and decides to join Said in Tunis, weaving rugs to make money. Said asks that she give him a son, so Aicha lives under the rule of her mother-in-law.

After the accidental death of her taxi-driver husband, Salma decides to become master of her own life by taking over his taxi. She comes up against the Kafkaesque procedures of Tunisian bureaucracy and the offhandedness of the insurance industry, but refuses to let go and is not intimidated by anything. With quiet determination, she also faces the conservatism of her in-laws who, under the pretext of morality, continue to dictate the way she should behave. In order to create a better future for her daughter but also for herself, Salma is locked in a daily struggle with the world around her.

On a road trip, Ahmed a train conductor is torn between his loyalty to the old Tunisian railway company and his personal aspirations, while Fitati, his colleague, chooses to become a whistleblower on train accidents.

Aisha, a 26-year-old Somali woman, lives and works in Ain-shams, a neighbourhood in Cairo with a large African migrant community. The authorities’ indifference to the violent tensions between Egyptians and various African nationalities, has allowed different gangs to seize control of the neighbourhood. The situation quickly turns sour after one of them offers Aisha security in exchange for a favour.

Habib and his 15 year old son Ahmed from his previous marriage, are brought together by Habib’s worsening state of health. Habib’s political past during the dictatorship in Tunisia is dangerously affecting his present. The roles are reversed, Ahmed has to protect his father and try to keep him safe. Habib and Ahmed find themselves in a chaotic position that neither is prepared for.

This fable tells of an old fishmonger who dies and resuscitates several times. The man is a despicable character and his resurrections gives rise to general curiosity. But superstition soon takes over in the villagers’ hearts, they believe nature should reclaim its rights.

This film explores the impact of the modern world on the traditional male society of the Maghreb. It is a film about men who prefer to live life as an abstract game and the free-spirited woman who changes everything. Said and Youssef have fulfilled a life-long dream by opening a "chess bar" in the middle of the desert. They sit around drinking palm wine, playing board games and composing love poetry to imaginary women. All this changes with the arrival of Sarah, a sexually liberated, uninhibited metisse who easily lures Youssef into an affair. Soon he is dreaming not about chess but about opening a coffee bar in Genoa. The friendship is destroyed, the bar sold. Youssef, dressed in Western clothes, waits to leave with Sarah; will she show up? Said boards a train and sits down next to a Westernized woman bearing a resemblance to Sarah

Born to an Algerian father and a Sicilian mother in Tunisia, I have always been wealthy of three cultures. This motherland is where were born my Algerian ancestors when it was called Ifriqya but also my Sicilian grand-parents whose parents were part of the important migration flux of the beginning of the last century. A reservoir of workforce by the thousands reached the shores of this "promised land". A hundred years later, I embark on a quest to rediscover my Sicilian family, exiled for the past sixty years, scattered between Italy and France.

Through the testimonies of five bloggers jailed a few days before the January 14th revolution in Tunisia, A Doomed Generation charts the struggle of cyber dissidents against Ben Ali’s censorship. This documentary traces the bloggers’ activism and mobilisation through the web and their influence over social media networks. It is also a report of the disillusionment of the Tunisian youth, who in the aftermath of the revolution, have been deprived of their aspirations for freedom and democracy.