Gata Maior Filmes

Memories of the Brazilian slavery past overflow into ethereal landscapes and harrowing noises. Through a visual poetic essay, an intimate and sensory journey reflects on the silencing and invisibility of black people in diaspora.

An eye-opening he said/she said perspective on timbó fishing, a traditional practice of the Indigenous Yanomami people that involves the entire community and a vine used to stun fish, seamlessly blends preservation documentary, origin myth, magic realism and the reality of mining and economic threats to Yanomami culture in this formally inventive reclamation.

A Yanomami woman watches a shaman prepare the Yãkoana, food for the spirits. Based on the narrative of a young indigenous woman, the Yãkoana that feeds the Xapiri and allows shamans to enter the world of spirits also proposes a meeting of perspectives and imaginations.

When the flowers of the Mari tree bloom, dreams arise. The words of a great shaman lead to an oneiric experience through the synergy between cinema and the Yanomami dream, presenting poetics and teachings of the peoples of the forest.

With a constellation of black voices and presences, the short film takes a dizzying journey between ancestral and contemporary territories. On this mystical journey, sound and image devours celebrate the black poetry that anchors memories and discovers futures.