Andrew Scott brings multiple characters to life in Chekhov's Uncle Vanya, filmed live in West End, London. Hopes, dreams, and regrets are thrust into sharp focus in this one-man adaptation which explores the complexities of human emotions.
As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.
Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing tale.
In 1964, Richard Burton, newly married to Elizabeth Taylor, is to play the title role in an experimental new Broadway production of Hamlet under Sir John Gielgud’s exacting direction. But as rehearsals progress, two ages of theatre collide and the collaboration between actor and director soon threatens to unravel.
As the world faces its Second World War, John Halder, a good, intelligent German professor, finds himself pulled into a movement with unthinkable consequences.
General Othello's marriage is destroyed when vengeful Ensign Iago convinces him that his new wife has been unfaithful.
Seven-time BAFTA Award-winner Steve Coogan plays four roles in the world premiere stage adaptation of Stanley Kubrick’s comedy masterpiece Dr. Strangelove. This explosively funny satire, about a rogue U.S General who triggers a nuclear attack, is led by a world-renowned creative team including Emmy Award-winner Armando Iannucci and Olivier Award-winner Sean Foley. A production from Patrick Myles and David Luff. Based on the motion picture directed by Stanley Kubrick, screenplay by Stanley Kubrick, Terry Southern and Peter George, based on the book 'Red Alert' by Peter George.
When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.
Confronted with death, National Health Service founder Aneurin ‘Nye’ Bevan’s deepest memories lead him on a mind-bending journey back through his life; from childhood to mining underground, Parliament and fights with Winston Churchill.
Britain is locked down. Michael and Delroy are dealing with issues closer to home. During an explosive afternoon in Delroy's flat, they are forced to confront their relationship with their country – and with each other.
In the communal area of a block of temporary accommodation, the residents go about their day-to-day routines in the run-up to Christmas. The bonds of love that keep people together are put to the test.
The hour before actors go on stage at the National Theatre in London is a performance in and of itself.
After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meet the dark, cold, and abrupt master of the house, Mr. Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever?
Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital. Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.
Mary has just been released from prison. She wants to come home and forget all about it but Briana has other ideas. Over a tumultuous two days a family is forced to confront not just their past but themselves. Because even if you refuse to hear the truth, the truth doesn’t go away. Róisín McBrinn returns to Clean Break (Favour) to direct this powerful story of family and forgiveness by Deborah Bruce (The House They Grew Up In). A co-production from National Theatre and Clean Break.
Dame Maggie Smith stars in the 1967 screen version of Franco Zeffirelli's exuberant National Theatre production of Shakespeare's romantic comedy, in which young lovers Hero and Claudio conspire to make sharp-tongued rivals Beatrice and Benedick fall in love with each other.
Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.
A ship is wrecked on the rocks. Viola is washed ashore but her twin brother Sebastian is lost. Determined to survive on her own, she steps out to explore a new land. So begins a whirlwind of mistaken identity and unrequited love. The nearby households of Olivia and Orsino are overrun with passion. Even Olivia's upright housekeeper Malvolia is swept up in the madness. Where music is the food of love, and nobody is quite what they seem, anything proves possible.
The family, from whose tentacles we can never quite escape. When a golden wedding anniversary reunites the Randolph family on the eve of WWII, Dora and Charles must reckon with the adults their children have become. Their children, meanwhile, are haunted by the memory of the family they once were. As the weekend’s celebrations unfold, the family walks a tightrope between intimacy and estrangement, camaraderie and rivalry, love and hate. Heartbreaking and joyful, this captivating revival of Dodie Smith’s (I Capture the Castle) play is a moving dissection of family and what it means to grow up and return home. Lindsay Duncan (Hansard) plays Dora in this beautiful, contemporary production, directed by Emily Burns (Jack Absolute Flies Again).
After years of fierce focus on her political career, a politician turns her attention to her personal life. The reappearance of a figure from her past shakes the foundations of her house and the beliefs that have underpinned her power. As buried lust and loneliness surge to the surface, her actions threaten to destroy everything she has built.
