ArKtype

Explores the elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us.

World premiere of "The Demo," a music theater work written by composer/performers Mikel Rouse and Ben Neill based on Douglas Engelbart’s historic 1968 demonstration of early computer technology. Engelbart’s 1968 demo rolled out virtually everything that would define modern computing; videoconferencing, hyperlinks, networked collaboration, digital text editing, and something called a “mouse.” The Demo re-imagines Engelbart’s historic demonstration as a technologically-infused music theater piece, a new form of hybrid performance.

2014 performance of "The Demo," a music theater work written by composer/performers Mikel Rouse and Ben Neill based on Douglas Engelbart’s historic 1968 demonstration of early computer technology. Engelbart’s 1968 demo rolled out virtually everything that would define modern computing; videoconferencing, hyperlinks, networked collaboration, digital text editing, and something called a “mouse.” The Demo re-imagines Engelbart’s historic demonstration as a technologically-infused music theater piece, a new form of hybrid performance.

Filmmaker Sam Green, in collaboration with writer and editor Joe Bini, takes the stage with the legendary classical-music group Kronos Quartet to create a "live documentary" that chronologically unfolds the quartet's groundbreaking, continent-spanning, multi-decade career. Wildly creative and experimental in form, A Thousand Thoughts is a meditation on music itself-the act of listening closely to music, the experience of feeling music deeply, and the power that music has to change the world. Green narrates the piece live onstage while the Kronos Quartet performs the score, and a rich blend of archival footage, photos, and interviews with members of the Kronos Quartet – as well as longtime collaborators like Philip Glass, Laurie Anderson, Terry Riley, Tanya Tagaq, and Steve Reich – unspools on screen.

Documentarian Sam Green interprets our collective fascination with the Guinness Book of World Records as a profound need to try and make some sense of who we are by calibrating human experience and marveling at its outer contours. Green himself travels to various reaches of the Earth to collect original footage of record-holding people, places, and things-the tallest man, the woman with the longest name, the oldest living thing on the planet. He weaves into these original portraits a rich assembly of archival footage, his own live narration, and an evocative live soundtrack from the chamber group yMusic to create an indelible rumination on fate, human endeavor, and the nature of our existence on Earth.