Jay, a failed musician, walked out of his family and now earns a living as head bartender in a trendy London pub. Every Wednesday afternoon a woman comes to his house for graphic, almost wordless, sex. One day Jay follows her and finds out about the rest of her life. This eventually disrupts their relationship.
Henri is a lonely, isolated young man who lets no one get close to him. He meets a street hustler and comes out of his shell, going 180 degrees into gay obsession. Though he has yet to physically approach the object of his affection, Henri builds up so much unrequited lust that it explodes with horrible results.
Thomas has been estranged from his brother Luc for several years, due in part to his difficulties in dealing with Luc's homosexuality. But when Thomas is diagnosed with a rare blood disease, which is difficult to treat and impossible to cure, he decides he wants to bring Luc back into his life. The brothers soon become inseparable, and their new relationship begins to alienate their significant others.
Wealthy but arrogant writer Jean Hervey comes home one day to find that his wife, Gabrielle, has left him for another man. Realizing her mistake, Gabrielle returns, and the pair begin a merciless analysis of their marriage as the relationship comes undone.
The solitary Daniel and Sonia share an uneasy love/hate relationship. Daniel's life is disrupted by the appearance of a stranger that proceeds to insinuate himself in his life. The man's persistence takes its toll on Daniel and Sonia, leaving Daniel alone with nagging questions of "Why?"
Patrice Chéreau has chosen fragments of two plays by Shakespeare, Richard III and Henri VI, to offer them to student actors in a class at the National Conservatory of Dramatic Arts in Paris. The purpose is a show, presented at the Manufacture des Œillets. Without comment nor interview, Stéphane Metge follows this work, from the first readings to the "general".
A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.
