Una and an alien robot have 24 hours to find her Grandpa who was kidnapped by aliens. The extraordinary adventure leads to friendship, the rational robotic logic is replaced by emotions and Una's selfless love saves her partly alien family.
Classical music program on one Zagreb radio station is suddenly interrupted when disturbed war veteran, armed with hadngrenade and explosives, breaks in with strange demands and convincing threats.
After spending 13 years in prison, forty-year-old Djuka Begovic returns to his home-village in Slavonia. He promises to his mother that he will begin a new and honest life. He finds new meaning in taking care of his daughter Smilja. He tries to chase away destructive thoughts that threaten to overwhelm him by throwing himself into hard work. However, everything around him reminds him of his past and his family's tragic destiny. His family was wealthy at the beginning of the twentieth century, but was destroyed by the capitalist powers that took over the villages and broke the traditional family cooperatives. Djuka's personal life was marked by constant conflicts with his father.
Nikola is a man who knows how to really enjoy life; he's even able to rouse sympathy for his sinful ways. His brother turns a blind eye to his philandering although, with a broken marriage behind him, he doesn't have a clear conscience, either. Is there anything positive to be said about infidelity, or does it simply deserve the utmost contempt, particularly when it's more premeditated than spontaneous?
A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.
Approximately a month before the death of the first Croatian president and in the wake of parliamentary elections in December 1999, a diplomat from the Croatian embassy in Paris is reported missing. He is a doctor of French literature who returned from Canada in 1991. Gawain Skok, who took part in the War for Independence and defended Vukovar, starts a search.
Sandra is an overly sensitive young woman who, when under pressure, has trouble with deciphering the line between reality and her twisted fantasies. During her husband's birthday party, she has to spend a day with his family. Their barely concealed hostility is making her gradually lose her mind.
War. A city under the siege. The truce has been recently signed, and the squad known as the 'Blacks', who used to do the dirty jobs, needs to be disbanded. Ivo, the squad commander who has lost three of his soldiers, prepares the action to retrieve their dead bodies from the forest and, despite the ceasefire, blow up the dam, thus causing a great damage to the enemy: The survived members of the squad, tortured by their personal doubts and guilt, move into action. On the battlefield, they find the enemy they are searching for is in the place they least expect - inside themselves.
The film follows Ibro (Emir Hadžihafizbegović) and his son Armin (Armin Omerović), who travel from a small town in Bosnia to a film audition in Zagreb, hoping to land a part for Armin in a German film about the war in Bosnia. On their way to fulfilling the boy's dream, they encounter a series of disappointing setbacks — their bus to Zagreb breaks down and they are late for the audition. After Ibro convinces the director to give the boy a second chance, they soon realize that Armin is too old for the part anyway. As it becomes obvious that Armin's dream of playing a part in the movie will never happen, he feels increasingly disheartened, while Ibro's determination to help his son grows. Finally they do get another chance, but Armin buckles under the pressure and experiences an epileptic seizure. As they get ready to head back to Bosnia, the film crew makes an unexpected offer, but when Ibro refuses, Armin at last realizes how much his father really loves him.
Eliciting images of cancer, this drama explores the illnesses that plague modern Croatia. Four young junkies in Zagreb maturing in the wake of war reflect the petty hatreds, violence, prejudices and mood hanging over the country like a disease that spreads with no cure in sight.
During the war, Ana lost members of her family and was raped by a member of the Serb paramilitary forces. Years later, she accidentally sees her tormentor in the middle of Zagreb. She goes to the police, but the man who fits her description was allegedly killed in the war. While nobody believes Ana, the murderous rapist is determined to eliminate her.
In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.
It seems that football is still the most important thing in Koko's life and the upcoming encounter between the infamous “Pirates” and Koko's team “Green Hill” the central event of the season. Zlatko is still spending every second reading books and scolding Koko for being immature. To prove him wrong, Koko tells him that he is unhappily in love with Ana, a mysterious girl as magical as the heroines from Zlatko’s novels. Koko’s mischievous sister Marica, secretive friend Ema and insolent Melita have their own band – Koko’s team will go to a concert, as will the girls go to their football games. We will find out whether the boys are really that interested in music and the girls in football in Love or Death - the new film from the Koko serial.
This film is based on the true story about Jovan Stanisavljevic alias Charuga, the bandit who became a legend in post-WW1 Slavonia, Croatia.
Iva is a girl who receives a small digital video camera for her fourteenth birthday. Delighted by her new toy, the girl immediately starts taping everything around her, recording a series of events surrounding her birthday celebration on her first tape. These ninety minutes form the film What Iva Recorded on October 21st, 2003.
Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.
A young man is determined to find out what happened to his grandfather who was arrested and then disappeared in WW2, why did the new communist government label their family as traitors and why was his father killed many years later.
Stipan is a policeman who comes to small Adriatic island off the Croatian coast in order to investigate reported strange phenomena that had frightened the whole population. At first, nobody wants to co-operate with him, but he finally finds that the island is being allegedly haunted by the ghost of Josip Broz Tito, Communist leader of former Yugoslavia. For Luka, the mayor, this is the opportunity to turn entire island into Tito-themed amusement park. Tito's WW2 veterans, on the other hand, don't believe in ghosts; for them, the apparition is actually Tito himself, who had returned in order to lead them into a new revolution which would restore Communism. Written by Anonymous
The movie takes place in the early 18th century on the borders between Bosnia and Dalmatia, the crossroad between the Ottoman Empire and the Republic of Venice. It deals with issues relating to the region's native Croats as they struggle between to live between two empires and two faiths: Catholicism and Islam.
Life Is a Trumpet has a loose jazz musician as the groom, a butcher as his father, and two families of different backgrounds whose members are not as different as one might expect.
