The story has an old donkey resolving to break away from the unbearable hardships of working for a fat miller (Alfred Pongratz). By and by, he recruits three more unsatisfied animals and convinces them to accompany him on his way to Bremen where they want to become musicians. Fighting off some robbers in a forest house then becomes an important part of the story.
Snow White's mother, the Queen dies when she is born. Her father, the King, remarries a beautiful but vain lady. The new Queen has a magic mirror that she asks every day, who is the fairest one of all? When it answers Snow White, the Queen is furious. Will handsome Prince Charming and the Seven Dwarfs be able to save Snow White from the wicked Queen's wrath?
Once upon a time, there had been a tailor who send his three sons out into the world, so that they might find fortune and learn something proper. The oldest went to a carpenter and was gifted a small table at the end of his apprenticeship. It set itself with all kinds of delicacies when ordered to. When he visits a hostelry, however, he gets cheated from the table by the innkeeper. The second son became the apprentice to a miller and received a donkey as a parting gift which could spew gold. But he as well got cheated out of the wages of his apprenticeship by the criminal innkeeper. The third son received from his lathe worker master conveniently a club as a parting gift. Spontaneously, he helps his brothers to their right and the thievish innkeeper experiences a bad surprise.
Eine Ziege hatte sieben junge Geißlein, die sie liebte, wie eine Mutter ihre Kinder nur lieben kann. Als sie eines Tages ein paar Besorgungen zu machen hatte, mussten die Kleinen ihr fest versprechen, niemandem die Tür zu öffnen. Kaum war die Mutter aus dem Haus, klopfte auch schon der böse Wolf. Doch die klugen sieben Geißlein ließen ihn nicht herein, wie ihre Mutter es ihnen aufgetragen hatte. Aber so leicht gab der Wolf nicht auf und heckte sogleich einen schlauen Plan aus, mit dem er die Geißlein überlisten und in das Haus eindringen wollte.
Documentary about the plants, animals and nude women of the alps.
One of the first detailed photo reportages about the country and its people, customs and traditions, the economy and transportation in Indonesia. Skillfully inserted travel sketches from the Suez Canal to Singapore break up the documentary.
The young Monika Dahlhoff returns from the USA after two years. As soon as she arrives, she learns that her father wants to sell his traditional stud farm, because he has quarreled with the members of the equestrian club. Accordingly annoyed is the old Dahlhoff, when his daughter just fell in love with the son of his greatest enemy. In the annual "Hubertusjagd" there is a dramatic encounter between the men.
12-year-old Jakob helps out at his mother's vegetable stand and also carries customers' purchased goods home. One day, an old woman with a long nose comes to the stand and claims that the herbs are bad and were better 50 years ago. Jakob is upset that she holds all the herbs to her nose and crushes them: "Take it away from your long nose!" he shouts and hits her hand. "Don't you like it, my beautiful long nose?" the woman scoffs, "You should have one too, even longer than mine." Finally, she buys some cabbages, which she wants Jakob to carry home for her. Jakob resists but is persuaded by his mother. Other market women whisper whether the old woman is not the evil fairy Kräuterweis.
short fiction film
Tanja spends her vacation on a deserted island, running around naked and watching animals.
A boy from the desert tries to sell a sand rose in the big city.
Seit 999 Jahre lebt der Berggeist Rübezahl tief unter der Erde im Riesengebirge. Niemand hat ihn seither gesehen. Doch als er erfährt, dass die Menschen nicht mehr an ihn glauben und dass Habgier und Ungerechtigkeit herrschen, steigt der Herr der Berge hinab ins Tal, um den Menschen mit seinen Zauberkräften eine Lektion zu erteilen. Einen Knecht, der sein altes Pferd zu Tode schindet, spannt er vor den Wagen und gibt ihm die Peitsche. Das Gold des reichen und geizigen Vetters Klaus verwandelt der Berggeist in Steine. Auf seiner Wanderung hungrig geworden, kehrt Rübezahl in Gestalt eines Fuhrmanns in einen Gasthof ein. Als der gefräßige Wirt ihm vor lauter Gier die Hälfte der bestellten Rühreier vom Teller nascht, fordert Rübezahl die bereits bezahlten Eier zurück...
Franz, a Tyrolean mountain farmer's son and passionate poacher, loves the beautiful Sanna. A hunter, who is also interested in her, catches Franz poaching, shoots him and leaves him alone. On the way back to the valley, he falls into a crevasse and dies. When Franz returns home seriously injured by the shot, he is mistaken for the murderer of the missing hunter and is put on trial. Although he is acquitted for lack of evidence, the village community cannot prove his innocence. Everyone turns away from Franz, only Sanna sticks by him. They live in seclusion with their two children on a farmstead. Only when the children get lost in the mountains at Christmas time years later can the supposed murder case be solved.
Two boys try out a home-made flying machine in their children's room at night. For another test, a rat that the boys keep as a pet is thrown out of the window with a small rocket. After this has also worked, the first boy stands on the windowsill ready to jump into the yard. At this moment, a man suddenly flies into the children's room from outside through the window, introducing himself as an inhabitant of Mars.
Short documentary by Peter Fleischmann
Re-enactment of the attempt made in July 1961 by a french-italian group in order to climb Freney Pillar, in Mont Blanc massif. The expedition was composed by the frenchmen Pierre Mazaud, Robert Guillaume, Pierre Kohlmann and Antoine Vieille and by the italians Walter Bonatti, Andrea Oggioni e Roberto Gallieni. The groups arrived separatly to the camp of Col de la Fourche, but with the same aim. They united by chance to conquest the famous peak. The attempt is crushed by bad wheather and, during the descent, three French and an Italian will die.
Between 1933 and 1935, the painter Wilhelm Eggert and his wife Dora Kuster traveled the African continent. Their expedition took them from Mediterranean Algiers through the Sahara and parts of the African west coast to the Congo and Kenya. Not only did the couple explore vast stretches of land that were almost completely unknown, at least to private travelers at the time, they also captured this journey on film. A screenable documentary film was compiled from the original 12,000m of film material. In cinemas and film clubs, European audiences were presented with a film that was evidently able to satisfy an interest in foreign, 'wild' cultures and exotic landscapes, albeit one that was always Eurocentric. The spectacular shots of African lifestyles and nature, which in many respects were new to European viewers who were almost completely unfamiliar with Africa, were praised and appreciated precisely because of their supposed authenticity.
