Bionaut

Edgar’s ordinary life is disrupted by a newborn calf he sees on a tourist trip to a slaughterhouse. He takes it home after finding out that the calf would become a schnitzel. His life is turned upside down when the calf turns into a cow and breaks things he holds dear. Edgar realizes that his decision wasn’t the best and decides to make a radical solution.

Maya and Renata are childhood friends that haven't seen each other for 10 years, but a coincidental meeting leads them to going out into the country together and visit their old school with their boyfriends.

Sometimes life starts after death for someone. Like for a little parasite, who walks with a rotting corpse of a dead dog around an old landfill. Trapped in his unpalatable body he tries to find love and friendship.

In 1872, in the cave of Cavillon in Monaco, archaeologist Émile Rivière (1835-1922) unearthed an apparently very old human skeleton, at least 24,000 years old, a discovery that changed the modern image of prehistoric men and women.

When Marija learns that her unstable boyfriend has disappeared, she takes to the streets in an attempt to find him.

Ester Krumbachová - a costume designer, screenwriter, director; one of the boldest personalities of the Czech New Wave. She worked in theatre, she was a writer and an illustrator. She co-created films such as O slavnosti a hostech (1966), Sedmikrásky (1966), Vsichni dobrí rodáci (1969), Pension pro svobodné pány (1968), Valerie a týden divu (1970), Slamený klobouk (1972) and many others. In the 1960s, she was a 'pivot' of the art scene in Prague, attracting artists who were on the threshold of their career, just setting out to find their own form of self-realization. Those who underwent her tutelage remember her forever. Director Vera Chytilová talks to those who knew Ester Krumbachová, who worked with her, befriended her, loved her. She sets off on a search that is to end by answering the question: Who was Ester?

The discovery of decades-old skeletal remains kicks off a criminal investigation into the ancient secrets of the Beskydy Mountains.

At 82 years old, Lula is every inch the rebel. An openly gay man in communist Poland, he organized underground parties and after-curfew salons of men inside private apartments. He enthusiastically took up drag, despite a fiercely homophobic culture, to free himself from the stifling correctness of the 80s. But now, he's an old, single man in a youth-obsessed world. His friend was crushed by depression and killed himself, but somehow Lula, now Poland's oldest drag queen, remains buoyant. Is he escaping loneliness with his constant clubbing, looking for love yet again to insulate himself against what he knows is coming? Lula isn't waiting for approval. Filmmaker Bogna Kowalczyk's energetic portrait pairs with her subject's kinetic drive, right down to the stellar soundtrack and nimble camerawork. Whether it's meeting fans at Pride or selecting an artist to sculpt his specialty crematorium urn, try to keep up with a man who knows life is to be lived out loud.

A 6 year-old girl is transfixed by the Little Red Riding Hood story, which her mother dutifully recounts every night. The tale’s themes of identity confusion and betrayal mirror her own story - who her real mother is and a potential love triangle implicating both her parents.

A love story of the 21st century. Hoping for change, Ema runs away from her family and leaves her husband. She hides at the apartment of her hairdresser, a gay guy Tony, even though she barely knows him. At the beginning they are merely two strangers, connected by their mutual effort of escaping from their families. They get closer and help each other to overcome the internal, as well as external, obstacles of their lives. Their liberating friendship almost becomes a love affair, despite the fact it cannot be fulfilled. This liberation creates an intense bond between them: a new escape, a new quest. This is a love story of two people and their attempts to escape the trap of their own desires of belonging to somebody.

Sentiment is Tomáš Hejtmánek's intimate documentary portrait of the great Czech director František Vláčil. The film was inspired by encounters with the filmmaker and told through taped interviews, reconstructions of meetings with Vláčil, visits to actual film locations (of Marketa Lazarova, The Valley of the Bees and Adelheid) and Vláčil-inspired film sequences. The result is one of the most unique and personal portraits of any artist – a collage of voices, sounds and images that evoke and celebrate Vláčil’s life and work.

Orion, Vladimir 518 and Mike Trafik are Peneři strýčka Homeboye (Uncle Homeboy’s Hoboes). Three lads from Prague, legendary rappers on the cusp of middle age, friends. Graffiti, the first attempts at rap, parties, fame, booze and drugs. Sky-rocketing popularity (but well-earned), downfalls, crises and comebacks. A cleverly shot, incisive triple portrait that flouts all the taboos.

Film about racial problems in the society, love, family, people and their relations.

A coming of age story about love, loss and revenge centers around two teenage friends, Adam and Marek, whose aimless lives in a small town are suddenly disrupted by the appearance of Anna, the troubled daughter of a rich and influential local businessman. Initially her free spirit energizes Adam but soon he finds himself thrown into a spiraling chain of events. His innocence is about to be abruptly replaced with the adult emotions of guilt, fear and revenge.

On Instagram Michal presents himself as a rapper who is one step away from stardom. In reality, he is a fast-food worker in a place from where no-one ever made the big time. What he doesn't yet know is that his dream will come true this afternoon.

Alcohol, national costumes, dance, as well as confrontation with unpleasant truths – that is what lies ahead for a young girl named Eliška, who gets stuck in a mysterious pub. She has to find an answer to whether everything ends with death or, rather, it is only the beginning.