The Vicar of Wakefield 1917
The production vindicated the new feature-length movie format by restoring several characters, plot complications, and atmosphere that had been truncated in Thanhouser’s 1910 version of less than one-sixth the length.
The production vindicated the new feature-length movie format by restoring several characters, plot complications, and atmosphere that had been truncated in Thanhouser’s 1910 version of less than one-sixth the length.
Unable to find help to work his farm, a farmer gets a bright idea--he advertises that any man willing to work on his farm will be permitted to court his two daughters. The girls and their mother don't take kindly to being offered as an "incentive", so when some college boys show up looking to take advantage of both offers, the girls come up with a plan of their own.
Film realization of the Biblical story of Joseph, played here by future director James Cruze.
The police set out to take down a gang of counterfeiters, using every tool they have including police dogs.
In "The World and the Woman", Jeanne Eagels plays Mary, a prostitute (which is implied by her walking the streets and being hassled by policemen) who reluctantly takes a better position at a country lodge as a maid. In this woodland community, she attends church and the path to Salvation becomes clear to her. Through Mary's faith, the injured folk of the countryside are healed. However, her old employer, whose lustful advances she'd previously spurned, still has designs on her.
Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.
After having been wrongly accused of murder and robbery, a heretofore kindly and gregarious weaver becomes a nasty, bitter, lonely old miser. Originally a seven-reel picture, a three-reel re-release survives.
The lead Florence La Badie plays dual roles. Clever editing is used for the scene where her two characters meet. La Badie, however, does appear twice within a scene via superimposition, but that's in a flashback-within-a-mirror scene. There are a couple such scenes where La Badie's reflection in the mirror reflects her reflective melancholy mood.
A one-reel crime drama with crooks, ruses, kidnapping, escape, and a twist, all wrapped in a coherent narrative.
An innocent man is accused of murdering his aunt.
The beautiful young princess was weary of the formality and ceremony that encompassed her. She had read many books and from them had gained the idea that she would be far happier as a simple peasant than as the daughter of a king. Even when it came to her marriage, she sadly reflected, there was no romance, for her father had arbitrarily contracted an alliance for her with a neighboring prince. The princess was taking her drive one day and was sadder than ever. She saw a wedding procession issue from a neighboring cottage, and pityingly watched the mother of the bride, as she turned into her lonely house. In a field the princess noticed a young farmer, and she thought that the romance which had been denied her might come into her life. By the time she had returned to the castle she was pitying herself exceedingly, and had decided to be a caged bird no longer.
Elaborately produced version of the well known George O. Nichols fairy tale interrupted by just a few summarizing intertitles, with Florence LaBadie and Harry Benham.
Zudora, not knowing she's an heiress to a $20 million fortune, lives with her uncle, a mystic and detective, who covets her inheritance. She wants to marry John Storm but her uncle is against it. However, the uncle makes a bargain; if Zudora can solve the next twenty mysteries brought to him, she can marry as she chooses. Episodes 1,2 and 8, plus another unidentified chapter, survive. The rest is believed to be lost.
A romantic story utilizing flashback sequences, featuring Harry Benham, Mignon Anderson and Helen Badgley (http://thanhouser.org/).
Following a bright wandering star, three magi from the East travel to Bethlehem of Judea to meet a very special newborn baby. Meanwhile, King Herod, driven by a hideous prophecy, orders him to be found and murdered.
A wealthy old man, who has been a semi-invalid for years, is informed by his physician that his case is hopeless. The invalid decides to put "his home in order." Therefore it is a matter of gratification to him when he sees that his only daughter and the young partner in whom he implicitly relies seems to be mutually attracted. The partner is called to Europe just before the doctor gives his verdict, hut the invalid makes "everything all right" in his will. He provides that the bulk of his estate shall go to the girl, if she marries the partner within one year from the hour of her father's death.
Over the years, an old gardener observes a romance develop between a young boy and girl. 20 years after they break up over a misunderstanding, the old man is instrumental in bringing them back together again.
Mary Lawson, on the run from a false murder charge finds happiness in marriage to a simple man until the day a villain from her past emerges and threatens all she’s built.
The Thanhouser Co. has reissued a number of its surviving films on video. FIRES OF YOUTH existed at around 52 minutes in its original release. A shortened version running just over 31 minutes has survived at the George Eastman House and has now been released by Thanhouser. Jeanne Eagels does well as the neglected young daughter in a factory town. She appears in 22 scenes and delivers a sensitive performance.
Sicilian king Leontes jealously accuses his wife Hermione of infidelity with his best friend, and while imprisoned, she delivers a child. Sent away, the child is raised by Bohemian shepherds. The Winter's Tale was the first of six Shakespeare adaptations from Thanhouser, and was the 13th or 14th title from the studio in its first nine weeks of releases.