Assunta Spina 1915
Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.
Caesar Film
Stranger in the City 1961
Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.
The Lady of the Camellias 1915
La Signora delle Camelie chronicles the tragic love story of courtesan Marguerite Gautier and provincial bourgeois Armand Duval. Armand’s father disapproves of the relationship and convinces Marguerite to leave Armand, making him believe that she has left him for another man.
La principessa 1917
Ivonne, la bella danzatrice 1915
Ivonne is a vulgar, loose, promiscuous and a passionate danseuse at the tavern. Countess Edith is an angelic creature, exquisitely elegant, a finite and aristocratic heiress. Two sides of a woman with a split personality.
Fedora 1916
An Italian melodrama. Only the final reel survives.
Odette 1935
The Cheerful Soul 1919
Creature della notte 1934
The Old Lady 1932
An elderly chestnut vendor lives in poverty but once a month puts on a show with silk and a carriage to impress her daughter in a convent. One day she is robbed of her meager savings.
Tosca 1918
Film version of the play.
Beatrice 1921
A silent film directed by Herbert Brenon also known as "The Stronger Passion".
La donna nuda 1922
Malìa 1917
The Poison Mood 1920
The dramatic events of the composer Mario Sirchi, falsely accused of murder, and his girlfriend Adonella who is revealed to have a secret sister, Nayda.
