Dustin Mills Productions

Her Name Was Torment II: Agony is a bigger, meaner exploration of things only hinted at in the first film. A deep dive into extreme gore and horror featuring explicit sex and graphic visceral violence.

What started as the debauched annual slumber party for a tight knit group of gal pals becomes a fight for their lives when supernatural evil threatens to destroy the world--and even worse, ruin the one night of the year the ladies get to have a nude pillow fight. Trapped by magic, surrounded by evil, and very underdressed, will they survive the night? Or will this slumber party become a slaughterhouse? SLAUGHTERHOUSE SLUMBER PARTY is the unholy hybrid of HARD TO DIE, EVIL DEAD II, and PARKS & REC the world never knew it needed.

The footage of three filmmakers shooting a web series has been recovered. Intending to debunk famous Internet urban legends and rituals, they perform a blood ritual that summons an ancient primordial entity in the process. As the spirit’s unstoppable evil seeps into their daily lives the trio are left with a single choice: Submit to its will… or die!

A methodical killer is systematically slaughtering a group of women who are connected and bound by the same dark secret.

INVALID is the story of a woman (Agnes played by Joni Durian) who is tasked with caring for her vegetative brother (Andrew played by Brandon Salkil). Things get strange when Agnes begins to hear her brother’s voice in her head, and he demands blood. Its Maniac meets Psycho meets Patrick with camera work and lighting inspired by the Italian greats like Bava, Fulci, and Argento. Sleaze, art, and emotion collide in INVALID.

A group of teens are challenged to spend a night in the Wagner mansion on the edge of town. Little do they know the owner has concocted a monstrosity in the basement.

There is no normal. We all wear masks. Applecart is a portmanteau film featuring stories dealing with the perversions, shame, rage, and secrets we all keep hidden. Applecart is presented to you as an experimental silent film with a unique sound design and stunning black and white cinematography. It is graphic, transgressive, and honest.

Zombie A-Hole takes place in a world that's a bit different from our own. A realm that teeters on the edge of sleaze and comic book stylized awesomeness. It's Planet Terror meets Sin City meets The Good The Bad and The Ugly. All the men are hard-asses, and all the women are bombshells. Just because vengeance is your way of life doesn't mean you can't look damn sexy while you dole out hearty doses of whoop-ass. Everything is just a bit bigger and more interesting than their real life counterparts. This is a an exploitation flick with a southern gothic flair. Written by Dustin Mills

Profoundly scarred and suspected to have committed 27 murders, "Patient 394" takes us deep into her perverted realm of mutilation, suffering and otherworldly guidance.

A group of hard-up low level criminals are sent into a giant abandoned school building to fetch stolen goods for the local kingpin. Unfortunately for them, the building is inhabited by the unhinged caretaker Joe and his super strong man-child bodyguard Sunny. One by one the criminals are picked off in increasingly grotesque ways. Heads roll, blood splatters, and gore slops as Sunny tears through the gang like tissue paper. Who will survive and what will be left of them?

Snuffet is a found footage snuff film with a psychotic twist. The victims are all puppets. Imagine a world exactly like our own except for one crucial detail... puppets are real and they coexist with humanity. Just like our world there is a seedy underbelly beneath the surface. Puppet racism, puppet hate crimes, puppet civil rights issues, and of course puppet serial killers. Human serial killers who hunt puppets to be specific. Our story follows a maniac's video diary as he hunts, mutilates, dismembers, and violates poor hapless Puppet Americans. Watch as they scream, bleed, and beg for mercy as a masked psychopath dismantles them one stitch at a time.

Missy and Stacy get more than they bargained for when they get hired to house sit a local historic landmark. The groundskeeper is creepy, the house is spooky, and there's a visitor knock knock knocking on the door.