The young political movement Operation Libero wants to stir up Switzerland's National elections with cross-party issues, progressive candidates and a targeted campaign. Will the movement succeed in asserting itself against the established forces and bring about change?
Hidden in the wooded mountains on the west coast of Japan lies the small Zen monastery Antaiji. A young woman sets off to immerse herself through autumn, winter and spring in the adventures of monastic life. The young woman is Sabine Timoteo from Switzerland. The abbot of the monastery is Muho Noelke, born in Berlin. An interplay between the philosophy of the Japanese Zen master Kodo Sawaki and the surprises brought forth by everyday life.
Based on three different places, the film portrays the infractions to which people living in modern day China are subjected due to rapid developments: in the deceptively idyllic Yangshuo in the rainy south; in the apocalyptic coal mining site of Wuhai in the parched north; and in Chongqing, the urban behemoth on the Yangtze River. The protagonists give their accounts of the unsurmounted past, the precarious present and their tentative steps into the future. The film thus paints a complex image of the mental state of the people in this complicated country.
SIGNERS KOFFER is a kind of road movie across Europa. From the Swiss Alps to eastern Poland, from Stromboli to Iceland. Always following the scenery's magically charged contours. Immersing yourself, letting yourself be infected, then travelling on. Roman Signer determines the route that we are moving on and the film improvises along the way. Being on the road also means tracking down the right places. Signer brings them alive using his own personel instruments, brilliantly simple operations full of subtle humour. «Simple» poems being transmitted into space with INSTRUMENTS as gunpowder, fuse, rubber boots, balloons, stool, small table ... and a three wheelded Plaggio. SIGNERS KOFFER is also a journey through the state of mind. A tightrope walk between fun and melancholy. Danger also mental mental danger becomes the stimulus of the senses. Sudden crashes, abrupt chagnes of mood determine the rythm and atmosphere of this cinematic journey.
A Long Way Home takes us on a fascinating journey into both the grim days of recent Chinese history and the dazzling cultural scene in present-day China. The film centers around five of the most significant representatives of contemporary Chinese counterculture: the visual artists the Gao Brothers, the choreographer and dancer Wen Hui, the animation artist Pi San and the poet Ye Fu. With bravery and subversive wit, they each shed light on the social problems in their country. In doing so, the film poses universal questions that ultimately concern us all: which values determine our cultural identity and in what kind of world do we want to live.
They live in its shadow, venerate and fear it, its whims dominate their destiny: the Iddu volcano has determined the lives of the inhabitants of Stromboli for centuries. Tourist streams and trekking queues to the volcano fill the coffers, but a violent eruption like the one in 2019 abruptly tears the island into a different reality. The force of nature confronts the population with drastic changes and questions about sustainability and mass tourism.
On the way through a world of sounds and noise – with Manfred Eicher, the oustanding discoverer and mediator of contemporary music and founder of the music label ECM. On this journey we are meeting musicians and composers, but also people and places which are connected with him and with each other. We are encountering stories, landscapes, cities, disputes and hugs, tranquillity, hectic pace, work, self-doubt, joy, passion.
A film about longstanding relationships, family, and the deep consequences of falling in love. While exploring themes of love in music, poetry and art, the filmmaker reflects on his life and the journeys on which love has taken him. Now, a new journey will test him again, an intercontinental exodus to keep his family together. A real and intimate portrait about the complexity of love.
Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.
Zeal & Ardor catapults Swiss musician Manuel Gagneux from the underground to the world stage. Religion, racism, segregation and appropriation: Gagneux makes music against taboos. But being a leader against his will scares the introverted artist. Can he remix the game?
Jackie Brutsche tries to unravel the dark secrets of her family and answer unanswered questions about her mother.
When two friends collect money for the so-called "suffering in America" in the streets of Accra, is it for fun, political provocation, or a prophecy? Two Swiss filmmakers will answer these questions with the help of seven musicians from Ghana-M3NSA, Wanlov The Kubolor, Adomaa, Worlasi, Akan, Mutombo Da Poet, and Poetra Asantewa-who have written new songs and produced video clips especially for the documentary film Contradict.
The film accompanies musicians who have devoted themselves to new, uncharted sounds with a great deal of passion. They build new instruments and work with quotidian noises. In the process, the ostensible noise often becomes sound. An adventurous journey of discovery into the realm of noises and sounds, rhythms and stillness. Together with people who listen closely and without reservation. A film that aims to engage viewers to listen with their eyes and see with their ears. Astonishingly sublime.
