GREC

Two young men in a nearly abandoned suburban landscape deal with the suicide of one of their friends by shotgunning beers and joining a gang.

Jean is a "slow" man, he builds his life around his anxieties, and considers himself unsuited to life in society. He lives with Alex, who is a "fast" man. Passionate about aerodynamics and eurodance, Alex lives fast and asks himself as few questions as possible. One morning, he receives a fast friend, Lou, at their place, while Jean had also planned to receive a slow friend, Caroline.

John lives for football and will do anything to make a career from it, even if it means facing the prejudices of the changing room.

An old man, former clown, comes back in the neighborhood where he used to lived for the funeral of his ex-wife, and finds old friends with whom he had lost contact.

February 1980, young Abdelkader Lareiche was shot in the head by a building guard in a housing estate in Vitry. In a context marked by several racist crimes and a policy of security repression, his friends are mobilizing around the “Rock Against Police” movement. Forty years after the events, Philomène sets out to meet the activists and actors of this movement. “Memory is not commemoration, it is the living part of History” confides Mounsi about the massacre of October 17, 1961. This is the heart of Nabil Djedouani’s project, to restore a moment in a living way. of the militant history of the suburbs, registered here in the Rock Against Police movement, but which cannot be restricted to it. A thread stretched from the 1980s to today, which continues to “analyze the collective and murderous unconscious of the French State” and the ways of resisting and revolting.

In Corsica, four girlfriends share the last days of an endless summer. It's hot, too hot to do anything. While they share their secrets, Camille, the youngest of them, says she's pregnant.

A college. His teachers and his students. His conflicts and his lies. His images and his words. His looks and his silences.

A 1990 short film from Alain Guiraudie concerning the conversations of two film makers as they meet each night.

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.

The world falls into chaos after a supernatural darkness descends. In the turmoil of the new reality, Tony fights for survival together with his ailing mother and son.

Alberte has a passionate affair with Mathias, her doctor. He treats her under narcoanalysis to be able to detect a deeper symptom. He enters her without her knowing it and takes possession of his being in order to read what is chasing him, why people blame him, what is the strange disease that inhabits him.

In the near future, huge tidal surges cover large portions of coastal areas. In a small town, a couple refuses to leave their home.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

An eight-year-old girl is fascinated by the exquisite corpse of a young woman she finds in the woods.

In 1914, an engineer sent away to reorganize a factory exchanges letters with his wife. As he tells her about his experiments in taylorism, she picks up bits and pieces of this method and applies it to her daily tasks at home. While he gets disappointed by the Taylor system, she becomes a true domestic engineer. Mingling images of American institutional movies to extracts of handbooks on management from the 1900s and 1910s The Human Factor aims at showing the genesis of Taylorism and its main effects upon industrial societies. It is also a love story.

A year and a half after "Le Lit e la vierge", Zouzou and Pierre Clémenti are in another bed, this time in front of a window, with Sacré-Coeur in the background. Filmed in two days, in July 1970, with a stolen film from the ORTF, this film, a tribute to these two vedettes of the French underground, is of immense beauty. The title is inspired by the silhouette of Pierre Clémenti, evocative, for Lagrange, of the male physicist during the Renaissance. Grandson of Léo Lagrange and nephew of the chief operator Ghislain Cloquet, Yvan Lagrange is two years younger than Philippe Garrel. "Renaissance", his first film, shows to what extent his generation was influenced by Garrel.

In the darkness of their respective rooms, two girls, in love with one another, converse on the Internet. But something is broken.

Kiko, a Japanese illustrator on assignment in France, gets suddenly overwhelmed by a strange new inspiration, while she realizes she's been spying on a gay couple on the beach next to the chapel where she's working. Obsessed by such a vision, she will continue spying on those men and drawing them secretly. These drawings will slowly push her towards an encounter that will change her life and break the barriers she created around her.

Alice Diop's enchanting short film, a work of transcendent transformation, shows how the rough lines of Drancy station are immortalized in watercolor by the French artist Benoît Peyrucq. A tribute to a location fraught with historical and contemporary poignancy.