The story of Enric Duran, a Catalan activist who, during the economic crisis of 2008, stole —by borrowing loans that he never paid back— half a million euros from banks, donated them to social projects and announced it to the media to denounce the practices of the banking system.
Every day, in the maternity wards of Bogota's public hospitals, hundreds of women give birth to their children. Case by case, birth give birth, a social reality is revealed from each individual situation. To expect, to fulfill, to want, to defend, to accept and to resist, verbs that make up this direct and demystified portrait of the hospital birth and that reflect an essential part of a country.
PATIENT is the word that defines us as we follow medical instructions or have to stay calm while we wait. In Colombia, a country where the harsh health system requires its users to face absurd bureaucratic obstacles to access its services, PATIENT is not only the one who has the disease, but also the one in the daily struggle ensuring that his or her loved one receives all necessary needs. Nubia is a PATIENT, a mother who, despite living with the anguish of possibly losing her daughter to an aggressive cancer, firmly gets to overcome the labyrinths established by the Health System processes upon which her daughter's life depends.
When director Iván Guarnizo's mother passes during the first days of peace talks with FARC-EP in Colombia, a door opens to explore a dark and painful past and, perhaps, find forgiveness. Iván's mother had been kidnapped by FARC-EP forces and held in captivity for 603 days. As they marched her through the jungles and mountains of the Colombian countryside, she was able to keep a diary that in great detail documented the places she was taken, her experiences and the names and descriptions of her captors.
The story of Jonas Vogulys, who runs the marriage agency "Vogulys". It is the oldest in Colombia and Latin America, but after 10,152 marriages, the agency is declining due to online dating.
In 2018, a group of filmmakers calling themselves "Los Quietos" set out to make a film essay on a hypothetical syndrome of stillness in the Republic of Colombia. To this end, they invite Colombian documentary master Luis Ospina, presidential candidate Gustavo Petro and writer Juan Gabriel Vásquez to give them clues to delve into the history, geography and idiosyncrasy of Colombia, a country that, paradoxically, has very little of stillness. For unknown reasons, the project remained unfinished.
A portrait of the daily life of justice, the day-to-day petty crime in Bogotá, a city accustomed to violence and inequality. Each story, a trifle, a social reality that Colombian law always tries to punish.
While imprisoned for drug trafficking in Barcelona, Hernando Toro began his career as a photographer. For more than a decade, from a cell that was converted into a professional studio, he took thousands of portraits of those, like him, who lived behind bars. Despite the wealth of his work, much of Toro's file was forgotten once he was released.
With the Colombian government making little effort to come up with concrete proposals to tackle the healthcare crisis triggered by Covid-19 and the Colombian parliament passing utterly incomprehensible bills on the issue, Jorge Caballero Ramos decided to take matters into his own hands by using AI to create a new, fictional member of the Colombian Senate: Dora Sena. Dora's mission is to spark debate in the middle of a pandemic. But can an AI machine really write effective parliamentary bills for dystopian situations?
