Carmen la de Triana

Carmen la de Triana 1938

5.60

The story of a beautiful, vivacious gypsy girl and the two doomed men who fall for her.

1938

Refuge

Refuge 1928

1

After eight years in exile Martin returns to Berlin. He was involved in the German Revolution of 1918/1919 and had to leave the country as a result. Impoverished and lonely, he struggles on alone until the market saleswoman Hanne offers him shelter, although she does not have much money either. They fall in love and Martin even finds work on the construction site for the subway through Tempelhofer Feld. One day, however, he collapses there, whereupon the pregnant Hanne tries to nurse him back to health.

1928

The Treasure

The Treasure 1923

6.20

On the surface a straightforward tale of the search for a buried treasure, the film is a textbook example of German expressionism, with the passions of the protagonists conveyed as much through symbolism as action.

1923

Hans in Every Street

Hans in Every Street 1930

7.00

A bold crime caper about muckraking journalist Hans Steindecker, who happens to witness a spectacular murder. Shortly afterwards, he makes the acquaintance of Nelly who desperately wants to leave the country and asks for Steindecker′s assistance. Without giving a second thought, he agrees, and only after Nelly has disappeared does he realize that the young woman duped him.

1930

The Night Belongs to Us

The Night Belongs to Us 1929

6.00

During a test run for a large race in Sicily the racing car driver Bettina Bang gets into an accident and is saved by a secretive person unknown to her. It later turns out that the unknown man is the race car driver Harry Bredow.

1929

Fire in the Opera House

Fire in the Opera House 1930

5.00

It begins with a Tannhäuser performance and ends with the premiere of The Tales of Hoffmann. In between a young ingénue cast in her first big role, the Hoffmann rehearsals, the theatre director and his stage director exchanging cynicisms, a budding love affair. Gründgens at his most repulsive, trying to woo both lovers. And a hair-raising finale. Add to this some snappy dialogue and "pre-code" scenes that make you sit up and stare.

1930