In all the stories that Llinas presents to us here with his narrative flair, well-known from Extraordinary Stories, we see the same four actresses, but each time in different roles: Elisa Carricajo, Valeria Correa, Pilar Gamboa, Laura Paredes – we also see them grow and get older.
A mysterious call from a dying stranger upends Katie Bonner's life and sends her down a dangerous rabbit hole in search of a woman named Tala.
A showcase of some of the most talented underrepresented emerging filmmakers.
The multicultural world of a select American city and its black population through the lens of psychological horror stories. New Orleans will be the debut city.
Join host and comedian Maria Bamford as she talks candidly with fellow comedians and artists about their experiences with mental health, past or present.
Billy and Crispin attempt to remedy their relationship the only way they know how - by ignoring their troubles and distracting themselves with trips out of London.
These four Black women musicians are redefining the male-dominated industry.
Sri Kumare tackles issues such as loneliness, self-love, and Black Lives Matter.
As we approach death, each of us encounters a unique set of experiences and impressions-the sum of our time spent and our choices. It has been said that death is like a wall; as we near the wall, our instinct is to turn and face the past. Through a series of interviews with terminally ill men and women, The View From Here is an exploration of how life looks after a terminal diagnosis and before a final breath- an unflinching attempt to undo the taboos that keep us afraid and alone at the end.
When a deadly pandemic spreads across the outskirts of a large US city, a group of interconnected people are impacted in different ways. Some deal with unfinished business, others struggle to hold onto their faith, and all must fight to survive.
Twenty fiercely unique dancers compete across NYC to see: who’s got the Best Walk?
What would you save if your house was on fire?
Unforgettable arrest stories, whose details reveal a shocking range of encounters.
Nathan Silver has been casting his mother, Cindy, in his independent feature films since 2012. And though Cindy always insists she’s “not an actress—I’m just your mother,” when Nathan cuts almost all her scenes from one of his movies, Cindy’s disappointment goes beyond a matter of simple creative differences. In this new documentary series, we follow Nathan and Cindy as they try to repair their relationship over the dinner table, at the synagogue, and, finally, on the set of a film where Nathan cedes the director’s chair to a promising new talent: his own mother.
Can a stigmatized property steeped in tragedy be revived?
