A trip to Russia by two filmmakers in 1990, forms the bulk of this twin-screen projection, finished some 9 years later; Their super-8 footage mixed in with archival material (and a sprinkling of the classics such as Vertov and Eisenstein).
Fone Fur Follies is the English version of Télépattes.
An observation of humans' and animals' table manners as they gulp down breakfasts, lunches, cocktails and dinners in a variety of situations.
With a super 8 camera from Paris to Berlin, from Amsterdam to Rio, from Jerusalem to New York shooting only at night. Hungarian crooners, Indian tribal chants, opera arias, and an occasional samba make up the sound track of this “hand-held” diary.
USA + USSR = USSA. My film is about blurred boundaries, probably due to my own personal history. I was born in New York, to Russian and Czech parents, raised in Brazil and educated in France. As a result, the film is a cultural cocktail shot on super 8 in New York, Berlin, Milan and Paris.
Brooklyn boxers and boucing balls.Catalan dancers and Provençals dogs. The Douro, the Danube, Biarritz, Brazil. In super 8 colours and black and white sounds.
This video was made for an exhibition in Rio on Paulo Werneck, one of Oscar Niemeyer's collaborators. Werneck was the first to introduce mosaics in Brazilian Modernist architecture. P.W. shows the context of the artist's work in Rio and Belo Horizonte in the 50s and 60s as well as Brasilia at the time of its construction in 1960. It's an inventive collage of archival footage, music and Werneck's modernist mosaics.
A month in the country. In summer, a group of friends rent a house in southern France. People come and go, making their way through chickens, dogs and cats. Playful sounds and a wacky collage of music make up the soundtrack.
Funny collage of sea, sun and ice. A show from the beach with skiers, tigers, mermaids and much more.
A felinosophy of life.
A humorous glimpse of what happens every morning on the wavy sidewalks of Copacabana Beach. Physical fitness, Brazilian style, with a dash of soccer and hints of Carmen Miranda.
Absorb these images, “breathing slowly, quietly, and very calmly. Sinking softly, silently…” Drift into a relaxing reverie.
"Vivian Ostrovsky's intriguing film focuses on the French dancer- choreographer Mathilde Monnier, now the director of the National Choreographic Center of Montpellier. Like the dance film it is paired with, M.M.in MOTION exhibits a surrealist sensibility but the mood is playful and the movements full of quirky and ironic juxtapositions" (Film Society of Lincoln Center)
