Room for Film

An aspiring young musician finds himself taking on the care of his father who suffers from Parkinson's disease.

Inay (9) and her brother have a day off from school and they have to join their father who needs to go on a special trip. During this route, through the awakening city, Inay secretly tries to cause a delay. She knows that if they arrive late at their destination, she will be rewarded with loads of sweet desserts.

Best friends, Cas and Naomi are graduating from high school and spend every second of their days together. Within their friendship they experience a feeling of ultimate safety. But when their future plans are seemingly different, their relationship wobbles.

When Kees (42) and his two children, Roos (12) and Willem (6), stop at a gas station for a quick toilet break, they all shortly separate and go their own way. In this short period of time, each of them witnesses something which makes them think about themselves. The young Willem accidently witnesses a couple making love in the bushes and doesn't know how to deal with this. Roos, a real 'tomboy', starts thinking about who she wants to be, after another girl confuses her for being a boy. Kees, a divorced man, thinks he has a flirt with a younger woman. When he finds out she wasn't flirting at all, he realizes that he has entered a new period of his life where he has to find his place. The three characters separately all experience a small tilt in their lives.

In a foggy marsh, a frog tells about his life: how he was reborn time and again, starting as a tadpole over and over. Until something went wrong: he ‘got lost’ and woke up in the body of an adult man. From this moment, the life of this Allard (48) gradually begins to change: he loses grip of his familiar world. The frog inside wants to go back home, to the marsh he knows so well. In this imaginative yet realistically shot film, the frog’s voice is heard on the voice-over.

Emily has just started her job as a telephone psychic. Not that she is that spiritual herself, but she can use the money. So initially she does not really mind that the call center applies rather double standards. In her readings, Emily carefully follows the script formulated by the organisation. But during the conversations, she gradually discovers her spiritual side, as shown in this debut. Is there something supernatural, after all?

Olaf, an engineering student, lives with his father Vincent. Once a renowned architect, now suffering from early Alzheimer’s disease. Olaf is struggling, because he wants to keep seeing Vincent as the man who knows everything. In the run-up to the birthday party Olaf organises for his dad, their surroundings grow darker; a concrete wall casts a shadow over their house from the garden and Vincent’s condition is deteriorating. Olaf will have to realise that living together in the present is more valuable than persistently clinging on to what used to be.