Université de Montréal

Montreal, 2013. Dina Mendes, artist and the daughter French criminal superstar Jacques Mesrine had from an affair in 1970, returns to Montreal and looks for her father's traces. She embarks on this search with both personal quest and artistic project in mind. The film shifts from fiction conventions to cinema-vérité, particularly in Percé, where the project reaches its momentum. In the end, Dina Mendes ends up achieving neither the personal quest nor a meaningful artistic project, caught between over-exposed facts and an impossible identification. Nonetheless, what this odd film - in which you will never see or hear Mesrine once - does achieve is to provide a Québec perspective onto a history that is so central to French popular culture.

Will goes to a government suicide center to escape a decisive conversation with his girlfriend since he fears a breakup.

A young woman accused of witchcraft tells an inquisitor the story of her parents who disappeared under mysterious circumstances.

Finding room A3871, in a dystopian university, is no easy task for a student who just wants to complete their exam.

When the owner of a handmade hat store and his apprentice learn that the store is on the verge of bankruptcy, they decide to take inspiration from the neighboring hat business in order to make some changes to the store.

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Because Quebec Sign Language cannot be captured on paper, videography has revealed itself to be the best way to represent this visual language. The first ‘comic strip’ in sign language, the film depicts snatches of conversations between various deaf and hearing protagonists. A visit to a silent world, where the hearing impaired ask us to listen to them.