MediaCorp

A story based on true events about the Johor-Singapore Causeway which was inaugurated on 28 June 1924 and closed in March 2020 when the coronavirus outbreak first hit.

Jia Tianxiong (Li Nanxing) is a gambler and addicted to drinking. He was asked to do a mission to spy on someone and disguised himself as a teacher in SCP school. He met Zeng Kaixin (Bonnie Loo), a teacher in the school. But, on Kaixin's birthday, her foster father told her that he is not her biological father. Kaixin was devastated and felt angry with her biological father for not reuniting with her and her mother who had passed away. Will Kaixin ever find her biological father?

From a poor village girl to a famous wayang (Chinese Opera) star, Titoudao chronicles the colourful and turbulent life of celebrated wayang star Oon Ah Chiam. Born into a poor family of 12 children, Ah Chiam's father was always trying to get rid of her. She had to constantly prove herself in order to fight for chance to stay in the family. Fate brought her and her sister Ah Dui into the famous Sin Sai Hong wayang troupe. There she rose through the ranks through hard work and grit to become their top star. But not before she had to protect her sister from a lecherous trainer and fight off a scheming competitor Ah Ngor. And will she find love with the troupe master's son Ah Zai or a pushcart hawker Ah hock?

Qingqing (Athena Chu) is a getai singer, an entertainer who sings for the souls of the departed in boisterous street shows held during the Hungry Ghost Festival. She meets and falls in love with an enigmatic but oddly familiar young man (Chen Hanwei) visiting Singapore, in this simple tale of love, loss and a lifelong friendship that reaches across death.

Everything seemed well for the much-respected officer who was getting married and was just promoted to the rank of lieutenant, before an accident at the training ground cost his life.

After much effort, Wei Xiong becomes a well-known teppanyaki chef. A young girl, Luo Ling, idolizes him and decides to go after him; she even resorts to trickery to move into his house. Yu Qing is not pleased that Luo Ling has developed a cordial relationship with Wei Xiong’s father. Moreover, Wei Xiong remains aloof towards her due to his promise to compete fairly for her affections only after Guo Tian is released from prison. On the other hand, Yu Qing is also hesitant to take her relationship with Wei Xiong to the next level as she feels responsible for Guo Tian’s voluntary surrender to the authorities. The three friends are finally reunited upon Guo Tian’s release from prison. Wei Xiong, Guo Tian and Yu Qing are hunted by a mysterious person, and Yu Qing ends up getting captured. Wei Xiong and Guo Tian are forced to hurt each other in order to save her. The mysterious person eventually gives Yu Qing an ultimatum – to choose between the death of Wei Xiong or Guo Tian.

After the countdown to the new millennium, stranger Ke Qing bumps into Zhu Er (Joanne Peh) as they fight for a cab. They end up sharing the same cab but the drunken Ke Qing (Julian Hee) accidentally throws up all over Zhu-Er. This episode begins their oddly fated encounters whenever they wait for cab. After a decade of fated encounters and missed opportunities, will Ke Qing and Zhu Er finally realize that the love they have been waiting for has always been around them?

It mainly covers the Chinese Singaporean experience in Singapore, from the first generation of Chinese immigrants, who arrived to a relatively undeveloped island, through the Japanese occupation periods, and to the Chinese Singaporeans at the present day (1984), who resides in a developed nation that is radically different from the land their ancestors arrived to.

It's about the life of a family in the 1960s and 1980s

A teenager who aspired to become one of the best swimmers, but was pressured by his father to abandon his interest and instead study hard for the examinations.

"Until the lioness starts telling her own story, the hunter will always be the hero" - I recalled this old African proverb while listening to her cry on the flight. Following the conversation of the weeping mother over the phone, I started writing the script of Neel Mukut -Director

Reality is a perception and it changes with perspective. Every individual who falls victim to a fatal accident is a character in their own right, but reduced to a mere number in the media! Inspired by Akira Kurosawa’s ‘Rashomon’, ‘Testimony of a Thread’ is a monologue collage in search of a face behind the numbers of the deadliest structural failure accident in modern human history.