Film School of the Aristotle University of Thessaloniki

Two friends, a boy and a girl, at the age of 16, decide to deal with the taboo of being naked.

Maria and Nikos, a married couple coping with alienation, are spending the weekend at a hotel nestled in nature, by the river Acheron. During their stay, they will try to find new balance in their relationship.

Did you ever realise some people that would not sit next to them in a bus, or talk them. We eve hesitate to have a loot at this people but stare secretly. Sometimes those people against whom we have a lot of prejudices, are a part of our society, we just don't realise that, until we face some circumstances and really look into those people...

Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.

Thanasis, a rising movie star is excited about the new movie he is starring in. This movie is called FILM. The excessive ambitions and artistic vision of the director that will lead Thanasis to madness. He himself is determined to discover the secret of filming and ultimately the secret of life. In a film shooting nothing is as it seems.

Fast on his feet with a fat mustache, short stature, and investigative gaze. For a couple of days in the mountain, in his native land, we approach a man, strange and loud but nevertheless genuine and sensitive, a hunter. In his own way, Mr. Sotiris shines light on our bond with nature, history and man.

Stamatis cannot get over his breakup with Katerina. He stays locked inside, until one night Katerina visits him with one purpose only: to get him out of the house.

Amidst the serene landscape of the Angelohori lagoon, “To Spiti tou Fylaka tis Alykis" ("The Salt Keeper’s House") is a meeting point where the sounds of nature and music intertwine, revealing the inherent bond between nature, art and people.

The story concerns Menelaus, who, fifteen years after the brutal murder of his parents, decides to take revenge, breaking into the abuser's house and violating his sanctuary.

In an isolated island, a young woman receives letters form someone far away. she lives under the same roof with an older woman. a young postman arrives. a stray dog follows him from the very start. the three characters seem to lead separate lives, with no obvious bond between them. Still, as the story unfolds, the sender's letters seem to interweave the three characters. is it the sender's voice or their own voices they never listened to?

On a road trip, Marina, a teen adult, is driving her younger yet more mature sister, Eleni, to her new home. Marina freaks out at the idea of parting with her sister. She is obviously unready, it’s the end of their era! So she comes up with a lie in order to delay the inevitable, but in the end she pisses Eleni off. A squabble breaks out between them, sparking off a frank sisterly talk.

About how sadness gives birth to joy and one eats the other.

P. is getting ready to leave the house to buy his pills. But to get out, he must first win a game with specific rules: first, he writes a number, from 1 to 6, and sends it in a message. Once he has received the answer, he proceeds to the next step: he rolls the dice. However, the dice number does not correspond to the message number. Punishment: instead of opening the front door, all the interior doors close. Trapped in the hallways of the house and separated from his locked dog in one of the rooms, P. now has to wait 24 hours to roll the dice again in order to get out or, most likely, face a new, more painful test. As time goes on, hallucinations, buried memories and dreams become entangled with reality and P. gradually reaches his limits. Filmed during the pandemic, "ENA" is a -not so much- dystopian thriller with comic elements that explores the marginal and paradoxical condition of home confinement, but also the forgotten mystery of everyday spaces.

While ascending a staircase on his way to an important meeting, a man is faced with a dilemma.

Two lovers try to die together in order to live forever. When they die at the same time, neither of them will experience the loss of the other person. This is the only time in their lives when they will never experience the inevitable loss of their lover, either by natural death or separation.

A coming of age story about two sisters leading their lives in pole positions, who are summoned to a night's call of decision making. In a frantic attempt to truffle out money, they come up against visions of both a traumatic past and a disturbing reality, while realizing how difficult it is for a family to make ends meet.

A haunting experimental stop-motion animation that reveals the violence of heteronormativity, gender and patriarchy on trans bodies. Erma, neutral: Principles or motives that guide one's behavior or actions. A film about gender, the body and all their intertwining moments in between. Through an abstract stop-motion / body horror narrative point of view it attempts to highlight the continuous process and struggle of the construction of gender subjectivity against the oppressive power of heteronormativity. From birth to death the error in the code of patriarchy is subjugated and resisted, emerging but also trapped by the erinyes of the social. With an ironic and critical mood and intense religious symbolism, Erma highlights the contradictions of gender composition both in the field of solitary subjectivity and in the dominant heteronormative narrative. Gender identity is a war waged in the trenches of the body.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Greece 2011. In an uncertain economic climate, two young people suddenly find themselves out of a job when the owner of the company they work for suddenly declares bankruptcy. With nothing left to lose, they decide to take their destinies into their own hands. All they need is a plan. A simple plan...

Anna, a twenty-five-year-old girl, enters the children's world, the amusement park. After a short walk through the park's toys, she ends up on the bumper cars race track. There she comes face to face with her rival, an eight-year-old girl who obsessively wants to bump her car against hers.