Emails From Gary

Emails From Gary 2020

1

Strange Trace presents a micro-opera by composer Greg Nahabedian. Emails From Gary uses transcriptions of the actual emails and phone calls exchanged between the composer and a former boss as they tried to quit an honestly dangerous working situation. Our presentation ends with a dramatic reading of actual Yelp reviews of the business in question.

2020

Close Your Eyes

Close Your Eyes 2020

1

A standalone excerpt from the "Mother Goose" opera by Felix Jarrar

2020

Nada

Nada 2022

1

Conversational interruptions dance through realms of abstraction

2022

Sksksksksk

Sksksksksk 2022

1

Two snakes fight over a hot dog

2022

The Real Me

The Real Me 2021

1

An operatic interpretation of reality show reunions

2021

The Missing Piece

The Missing Piece 2020

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The employees of The Missing Piece, a custom puzzle company, meet for a virtual happy hour to blow off steam and discuss ways to deal with the unexpected "puzzle boom." But nothing goes according to plan, including a visit from the company's CEO, as they find themselves trapped in the Zoom call and one by one meet a disastrous fate.

2020

October Surprise

October Surprise 2021

1

On a Home Shopping Network style program for fringe political beliefs, four presenters attempt to sell remedies and solutions to popular conspiracy theories.

2021

Goliath

Goliath 2021

1

An operatic adaptation of the David and Goliath story. In this telling, Goliath is a cowardly pawn in a bigger machine.

2021

Social Media Song

Social Media Song 2020

1

A standalone animated excerpt from the "Mother Goose" opera by Felix Jarrar

2020

The Smaller Competitor

The Smaller Competitor 2021

1

Differing viewpoints are presented on the impending opening of the big box store, "Flo Mart."

2021

Ah! I'm now a swan!

Ah! I'm now a swan! 2020

1

A standalone excerpt from the "Mother Goose" opera by Felix Jarrar

2020

See You Today

See You Today 2020

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See You Today presents six conversations removed from their surrounding contexts. In each scene, the performer has an exchange that begins with the same words—“I didn’t think that I’d see you today.” For a conversation partner, there is only the subtitles, which converse with the performer back and forth. From the mundane to the erotic, See You Today finds meaning in the process of conversing, rather than in the narrative context that surrounds it.

2020