Parallel Pictures

Six women on a beach tell each other their fantasies. These stories are shown to us as little sex vignettes.

Against the barren wintry backdrop of a psychiatric hospital, inpatients and authority figures drift through turgid psychological states. We meet the artist Jean and his lover Monica, patients of the facility, and several characters circling its periphery: a guard, an Episcopalian priest, and a church organist. Minimalizing dialogue and plot intricacy, Tregenza concedes only kernels of information, demanding that the viewer breathe dimensionality into his archetypes. Acting out primal instincts of lust, envy, fear, and love, subjects teeter vulnerably on the brink of sanity and insanity, freedom and repression in their attempts to navigate their existence.

A young female writer whose father was a militant activist struggles to come to terms with this cumbersome legacy.

A female lawyer spends so much time indulging her seemingly insatiable sexual appetite that her career begins to suffer.

After the events that occurred on Polk Road, Nathan and Reuben are instructed by an odd doctor to go back to the road to face their demons.

Nathan and Reuben are stuck on a strange road after having car trouble. The two of them encounter several strange people on the road and Nathan discovers that before they can leave, the truth must come out.