A dramatization of one man's rescue of Jewish refugees in the Nazi-occupied Polish city of Lvov. In Darkness tells the true story of Leopold Soha who risks his own life to save a dozen people from certain death. Initially only interested in his own good, the thief and burglar hides Jewish refugees for 14 months in the sewers of the Nazi-occupied town of Lvov (formerly Poland).
Michał, a mature man and father, is full of bitterness, regret, and longing for unfulfilled youthful dreams of true love. He reminisces about all his past lovers. With his first, Asia, he went on a seaside camping trip. He was 19 at the time, and she was two years younger. Despite his unambiguous advances, the girl resisted for a long time. Eventually, however, she gave in. For Michał, it was the proverbial pebble that caused an avalanche.
It is a bitter story about a middle-aged man, who hates his life and other people, including himself. Adam Miauczynski, the character known from director Marek Koterski's previous films, is a 44 year-old teacher, who reads poetry during school lessons and later goes home swearing and calling his neighbours' names. The worst pain for him is the next 5 minutes of living. He doesn't accept himself and even everyday contacts with others cause his aggression. Though constantly dreaming of a romantic love, he is not bold enough to make his dreams come true. The desperate Miauczynski personalizes our own fears and obsessions, which have become so visible recently.
Franz Maurer, a compromised cop, former officer of the criminal department of the Warsaw's police, is released from prison where he was doing time for his brutality and murders. He is awaited by Nowy, a former police colleague. Franz tries to go straight starting hard work in a steel mill. Nevertheless, he must leave the factory as a criminal with an uncertain past when he doesn't join the strike organized by the workers' union. At the same time, a merciless war continues in former Yugoslavia. Wolf and William, two high rank officers, come to Poland in order to organize a network selling and smuggling arms to Yugoslavia by way of Albania.
An innocent cab driver is mistaken for a contract killer and imprisoned. Soon, he is sprung by a mob boss who needs a "killer" for a few more jobs.
Jurek Kiler has become a VIP - sponsoring the Polish government, playing tennis with the President, meeting world leaders. He must oversee a transfer of a substantial amount of gold. However, in his past activities, he has made enemies. Mighty ones. And thus Jurek Kiler's next adventure begins as he has to face attempts at kidnapping, assassinations and problems in his love life...
One day, hospital orderlies, watching corpse in the morgue, recognize film director. Man, even though he died, he begins to remember his life. He made a career making movies, had numerous mistresses, but never realized their dreams. His life was interspersed with many setbacks that enfeebled him from the inside. Although he made a career in film, he was not happy with his life.
In good old days Franz Maurer and his partners from secret police used to live like kings. Now, they all must adapt to new post-communist environment where they are scorned and losing all the privileges. Some, like Franz, are like ordinary police fighting against drug dealers. But Franz would soon find that some of his friends are on the other side.
A member of a therapy group is found dead. A prosecutor and a police officer try to solve the mystery of his death.
The Prohibition years. Chicago bootleggers suffer losses due to their betrayal by one Mick Nich - Mikita Nichiporuk. The mob decides to execute the traitor, who escaped to Odesa, USSR, and organized his own bootleg business there. The hitman, Pollack, arrives in Odesa, and realizes how hard it is to make the hit here, as compared to a civilized country like USA.
At 40, Zosia has a happy second marriage, a well-adjusted daughter, a good career, and a comfortable home in Warsaw. But as she and her family usher in the year 2000, she wishes some things in her youth had happened differently, and she's magically transported back to 1987, when she was still married to her womanizing first husband, Darek and lived in the People's Republic of Poland.
The protagonist of the film is a 50-year-old businessman, Tomasz Adamczyk, who wants to give up running his winery business and devote himself to his lifelong passion for philosophy. This idea does not appeal to his business partner. On top of all this, Tomasz has an accident and is taken hostage by enthusiasts of the wine he produces.
A woman stumbles upon a valuable artifact, the crown that belonged to Casimir the Great.
Marek, the main character of "Palimpsest," is a police inspector, a man on the verge of psychological disintegration trying to solve an intricate case. The story is told on two planes. The first one is a crime story, which constitutes the framework of the film. In the course of events, another theme appears - psychological experiences of the main character. Vivid blend of picture with sound and music will draw the audience into the deepest recesses of Marek's mind, making the viewers face questions: What is reality and what is only an illusion? Where is the borderline between the real world and our perception of it? What makes suffering meaningful and what is really important in one's life"?
A man, after having abandoned his family to live in a monastery, goes back into the world after 17 years.
Jerzy Stuhr scripted, directed and plays four roles in this Polish comedy about four men -- an army officer, a college instructor, a priest, and a drug dealer -- and their relationships with four females. An attractive student puts the teacher in an awkward spot when she reveals her love for him. An 11-year-old informs the priest that she's his daughter. The army officer is pleased when confronted by a past lover. The drug dealer, taken prisoner, must decide whether or not to trust his wife with his hidden loot. In the wrap-up, the elderly accountant passes judgment on all four men. Stuhr acted in films by the late Krzysztof Kieslowski, who had some input here by offering advice to Stuhr on this screenplay.
