Meeting with traditional tattoo artist Moana Heitaa. Moana uses the combs. Born in Tahiti, he learned with his Hawaiian mentor Heizea of Soul Pacific Signature, before traveling to the Pacific to deepen his knowledge and rediscover this ancestral art which has continued in Samoa and Tonga.
Tefana Tufaimea is a figure from the commune of Faa'a, on the island of Tahiti. He is the champion of traditional Maohi sports in the aito category (stone lifting, fruit carrier race and canoe). He is also a dancer and Mister Mini Heiva. Portrait of a discreet man who deserves to be known.
JR show on November 12, 2023 on the facade of the Palais Garnier. Chiroptera in the cave. Darkness holds the grace of the light
Gastineau Massamba is a painter, sculptor and poet. It is constantly renewing itself.
Play by Hakim Bah directed by Thales Zokène.
How at the beginning of 2022, while doing research in France on Henriette Lorimier and the women painters of the early 19th century, in a cellar in Bagneux Jonathan Bougard came across a bust signed Muta Mayola, the most important Congolese sculptor of the twentieth century, of which we thought all the works had disappeared. At the same time as on a set of works by his students and nephews Grégoire Massengo, Benoit Konongo and Edouard Malonga. The fathers of modern Congolese sculpture, main representatives of the Muta Mayola school.
Roland Tiaipoi is a Thai boxing trainer in Tahiti. He takes care of the young people in his neighborhood of Tipaerui, he channels them. It's long-term work, as Roland Darrouzes, president of the Tahitian Federation of Thai Boxing and associated disciplines, says. Roland is not alone, Polynesia has around fifteen clubs. Unknown to the general public, he chose pragmatism.
Semetua was Sem Manutahi, master of ceremonies and central figure of the "Tipaerui Valley" association. His role in the association was to find legends, and to set up traditional activities or ceremonies, in the upper valley of Tipaerui in the heart of the island of Tahiti. "This valley has a soul, a spirit that we always respect when we come. He said. It is animated by the spirit of the Mamaia. These people that we rarely met, that we feared and respected also, in the days of royalty. Some say they were healers, others say they were seers." Speaker on several occasions for troops at Heiva i Tahiti, master of ceremonies for the Tipaeui Valley association, Semetua has made his voice resonate on numerous occasions, to tell stories, protect a valley or quite simply defend his convictions.
When the name Hikueru is mentioned, all the other surrounding islands shudder with fear. Because in the story, when someone from Hikueru says anything it comes true. In Hikueru speech is sacred. Tapu was born in Hikueru. Until the age of nine, he grew up with his grandfather in Reka Reka. There is no better place in the universe than the Tuamotus, Tapu tells us. Tapu Bonnet descends from the great names of French Polynesia. He can recite his genealogy over several centuries. Forty years ago he was one of the seeds, one of those who renovated and restored this culture which was prohibited: walking on fire, tattooing... Incredible the flowering that there has been since that time of eighties.
In 2023, the Patutiki kakiu festival was held in Paris, the very first major international festival dedicated to the culture of the Polynesian archipelago of the Marquesas.
This film takes the form of an investigation into the life and work of the sculptor Vaiere Mara, born in 1936 in Rurutu, in the Austral Islands (French Polynesia) and died in Arue in 2005. Mara sculpted wood, coral and stone and his production was remarkable and noticed from the 1960s. Many local personalities placed orders with the man whom some considered the first contemporary Polynesian artist. The film traces the director's journey in search of Mara's works, scattered across islands and continents, and the personal story of this exceptional artist. Combining testimonies from those close to him, reconstructions of the founding moments of his career and documentation of the works found, this film appears as an investigation that is at once human, artistic and detective... which allows us to reconstruct the context of Vaiere Mara's creation.
Sampaguita Jay is one of the black and gray tattoo specialists in France. With the Mark of the Four Wawes Tribe collective, she popularized traditional Filipino tattooing, where she was originally from.
In the northern districts of Marseille, everyone knows Mourad Asseum alias El Mourado, the king of flamenco.
For several years, Annabel Guérédrat and Henri Tauliaut have presented the performance Nus descending the stairs.
Unanimously considered the greatest choreographer Polynesia has known, Coco Hotahota is a dance master. He is one of the rare group leaders, if not the only one, to actually take care of the entire production chain of a show, whether it is writing the theme, writing the songs, composing. , costume creation, choreography. In 1962 he created his troupe, Te Maeva, which in 55 years of existence will have been the most successful troupe in the history of Heiva i Tahiti, and also the largest troupe in terms of number, more than 150 dancers in peak, in the 80s. Today we have the impression that Coco, who has long represented modernity, has become a bit of a reference for tradition. It's the whole contradiction of the character that we also admire for that. This film traces the long history of Te Maeva.
Almen Gibirila is a fashion icon, founder in 1980 of Black Experience, the first black modeling agency in Paris. Congolese journalist Nzoumba-Lissa invites us to discover her creations during the Top Model Africa Paris casting.
Celebration of Fernando Arrabal, 90 years old, poet, playwright, member of the transcendent body of satraps of the college of pataphysics and founder of the panic movement with Alejandro Jodorowsky and Roland Topor. With Alejandra Chulia Jordan, Arrabal specialist. With the contribution of François Naudin. Moderation Wanda Mihuléac. Caroline Corre for bibliophile books.
Loris Gréaud takes over the Petit Palais in the city of Paris for a cortical exhibition.
A precocious sculptor, famous at the age of 15, Joachim Badindamana was born in Congo Brazzaville in 1950. He began by working in wood in the style of Muta Mayola and very quickly won a first sculpture prize and then a scholarship. allowing him to study fine arts in Germany. He made his life between Berlin and Dusseldorf in the 1970s and then turned to creating monumental bronzes before returning to Congo at the invitation of President Sassou Ngesso in the early 1980s. Author of monumental bronze sculptures erected in the public squares of Brazzaville from the 1980s, his emblematic works of the Congolese capital disappeared during the events of 1997. The population recovered the bronze to make pots. For Gastineau Massamba, Les Demoiselles de Brazzaville is an important work for the history of contemporary Congolese sculpture.
Roonui Anania, Chimé and Purotu started tattooing themselves and tattooing in the street, by snatch, that means with sewing needles attached to match sticks, then electric razors. Indian ink in a beer cap and off we went. Then Tavana Salmon brought back the first pig tooth combs, which they were not able to use for long due to hygiene. Impossible to sterilize. We had to go back to the electric razor, look for solutions. This film tells the story of the rebirth of Polynesian tattooing, then its expansion, told by the three greatest masters of Polynesian tattooing.
