Following the Revolution of April 25, 1974, the walls of the city of Lisbon became a means of celebrating and transmitting revolutionary ideals and slogans. The text by painter António Domingues praises this plastic work initiated by the Plastic Artists Cell of the Portuguese Communist Party.
To the tune of "A terra a quem a trabalha", an Alentejo peasant girl is attacked by a vampire but rescued afterwards by workers and peasants armed with sickles and hammers. Filmed during the 1977 Festa do Avante, with a collective of participants linked to cinema and theatre, this film is a critique of the legislative process led by António Barreto, Minister of Agriculture between 1976-1978, which put an end to the agrarian reform occupations.
