Austeja's parents get a job opportunity they do not want to say no to, and send their daughter to the country with the grandparents together with another child, Martynas. The children are bored at first, but they quickly discover that their stay in the country is anything but boring.
A tribute to late Latvian documentary film director Juris Podnieks. It was his plan to make this film about Latvia and Russia after the collapse of the USSR.
The film is based on the novel by Romualdas Granauskas, winner of the Lithuanian National Cultural and Arts Award, and is the chronicle of a young man’s shifting relationships as he adjusts rather dramatically to the unfamiliarity of freedom. The film will be shown in Lithuanian with English subtitles. Duburys won the Silver Crane Award in Lithuania. It has been selected as Lithuania’s entry for this year’s Oscar nomination in the foreign language film category. Duburys was entered in the Montreal World Film Festival, Tallinn Black Nights Film Festival and has been invited to Cairo International Film Festival and the Museum of Modern Art in New York.
A documentary by Janina Lapinskaitė about the social clown Joana. Dressed in colorful clothes and a red nose, the depressed woman visits hospitals with a team of actors to brighten up the daily lives of children with serious illnesses.
A film about marginalized people who have hit rock bottom and are trying to pick themselves up again. They arrive in a remote religious community, do their daily chores, and perhaps turn to God for the first time.
The film relates the story of the Kriauleidziai family, who lost the roof over their heads after fire engulfed their home. It also demonstrates man's ability to come to terms with misfortune, not to lose heart, but to start afresh.
'Purple Smoke' tells the complex story of Lithuanian Jew Jozef, partisan commander Vlad and their two beloved Janes.
A documentary on elderly Naivist painters in 90ies Latvia. These people find a lot of joy and harmony in their amazing creations even if they might not know a lot about the conventional art.
The film portrays the political situation in occupied Latvia 37 years ago, when writer Imants Ziedonis formed a group of like-minded peers into ‘’Dižkoku atbrīvotāji’’ – DAGi. Film reels and photos of the time show Imants Ziedonis and the DAGi participants – Māra Zālīte, Anna Žīgure, Roze Stiebra, Andris Buiķis, Vitolds Kucins and others. Today, with their contemporary experiences, they reflect on a time when the dream of an independent Latvia seemed impossibly far away. We’re Still Here reminds the younger generations that it’s possible to do good in the name your nation and its future not matter the circumstances.
The film is about metamorphosis of wedding traditions. What happened to the old wedding ways and customs that were market by joy, mystery and sadness?
Director Zigurds Vidiņš has been following Lidija Lasmane-Doroņina for more than 10 years with his camera. She was arrested in 1946, 1970 and 1983 by the Soviet regime, spending a total of 14 years in prison, her only crime: the dream of an independent Latvia. Thanks to Mikhail Gorbachev’s perestroika she was released from prison in May 1987. In 2010, Lidija Lasmane-Daroņina celebrated her 85th birthday, and On the Way of Light was released at the same time.
A documentary about art in a closed society - prison art. The protagonists, who are serving their sentences for various crimes, reveal their worldview.
The first part of the film – Island of Crete – was created in 2007, as an independent work. The second part – “Confession" – is like an other half of the Island of Crete, which reveals the reality of it as evidence of a rather cruel creative mechanism occasionally opens up even coercive elements. The author is trying to take a good look in the episodes that are often destroyed in the name of the film illusion creation.
Is the legend of the transatlantic flight of Steponas Darius and Stasys Girenas still relevant to the new Lithuanian generation?
A summary of twenty years of the work of film director and actor Algimantas Maceina, a document of his spiritual, ethical and aesthetic quest.
Afterword for the film "Homeland" - January 1991. Death of Andris Slapiņš and Gvido Zvaigzne.
