British Film Institute Production Board

The idyllic, rural past of a Suffolk village comes to life through the memories of an old man who tends a country graveyard.

A marital breakdown is brought to life through a mixture of dramatisation, monologue, montage and animation. Through the perspectives of the husband, the lawyer, the couple’s parents and their “home help”, a picture emerges of the transactional nature and economic fall-out of marriage, along with issues of class and gender politics affecting single mothers.

A series of non-dramatic tableaux representing scenes from De Sade's novel.

A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern cannon fire. His loaded gun is left pointing precariously at him and he is faced with imminent death.

This chilling and provocative faux home movie presents the story of three dissidents and their plan to commit a revolutionary act on film. Bicât and scriptwriter Howard Brenton explore the consequences and co-option of political violence with hard, grubby directness and a pre-punk, semi-nihilistic attack on bourgeois values.

Animated retelling of the story of Noah's Ark by political cartoonist Abu.

Inspired by Virginia Woolf, a young writer worries that marriage will hinder her literary ambitions. The film includes extracts from Virginia Woolf's novel To the Lighthouse and her essay Professions for Women, both read by feminist filmmaker and theorist Laura Mulvey.

Unemployed Anthony announces he is joining the police, much to the horror of his girlfriend and friends.

A portrait of an ex-coalminer turned inventor of the horse jaquzzi and Morrissey fanatic.

An elegant film about one man's fears and fantasies regarding HIV testing.

European emigre Tanya moves to London to work as a family au pair. Still grieving for her recently deceased father and rejected by an old friend, Tanya draws closer to her employer's husband. The sights and sounds of the Capital at Christmas form a deceptively romantic backdrop, for this brief meditation on loneliness and love.

Captures a moment in 1970s Britain's immigration debate, focusing on new arrivals at Heathrow as they wrestle with immigration law.

Song tells the story of the women who worked in Victorian London's clothing sweatshops, eschewing a conventional narrative in favour of a series of still photographs and acted reconstructions to show that this story has been rewritten/written-over many times before.

A tragi-comic boat movie in which Beauty and The Beast live out their own particular fairytales.

An old woman, her grandson, cabbage soup... A man arrives, bearing meat, setting in motion a situation which escalates beyond the point of barter.

In a hugely entertaining parody of her media persona, a pre-'Female Eunuch' Germaine Greer stars as a terrifyingly amorous woman who alternately cajoles, pursues and assaults a mild little man with cries of "Darling, do you love me?" until he succumbs to her strangling hands.

Traces the role of women in British television, from 1946 to 1997.

A young man (Aidan Gillan) arrives in the midst of London's Soho. He's from Belfast, he's anxious and he looks like he's running away from something. Then, by chance, he meets Grace, a prostitute who happens to come from Belfast too. A connection is made and, for a brief time, she seems to offer the chance of a new future.

An anti-short short. On three occassions a man overhears a car accident while relaxing in his room. He reacts with less and less concern to each crash.

A rich and challenging account of the experiences of a German Jewish musician who settled in Britain to escape Nazi persecution. Two of his friends are being sued by a former SS Kommandant, who denies their accusation that he was responsible for the genocide of 300 Belgians. Documentary interviews and archive footage merge with dramatised scenes to create a new way of representing history and memory.