Hegewald Film
Fair Game 1928
Der Meineidbauer 1926
Frauenarzt Dr. Schäfer 1928
The respected gynecologist Prof. Hausen is averse to performing abortions. In contrast, his up-and-coming colleague Dr. Schäfer sees abortion as a means of helping women in need and openly advocates an amendment of the law. The professor’s convictions are shaken when misfortune befalls his own family. Louise Fleck presents her drama about the untimeliness of restrictive abortion legislation against the backdrop of modern urban reality. Seriousness, however, is preserved, because topics such as unwanted pregnancy, sexual violence, and the consequences of improperly performed abortions are not only addressed through minor characters, but also placed at the center of the cinematic narrative. (Anna Dobringer)
Girls for Sale 1931
About trafficking. A nightclub in Buenos Aires is advertising for blonde women for glamorous jobs.
Liebelei 1927
Film by Jacob and Luise Fleck.
Liebeskleeblatt 1930
The Happy Vagabonds 1928
The Warsaw Citadel 1930
In the 19th century, Polish patriots rise up in Warsaw against domination by the Czar of Russia.
Once I Loved a Girl in Vienna 1931
A musical about love that spans the period before and after the Great War in the Austro-Hungarian empire.
Viennese hearts 1930
The Tsarevich 1929
Based on the play and subsequent operetta of the same name.
The Csikos Baroness 1930
The Volga Girl 1930
A love story between a simple peasant girl (Holt) and a dashing young officer (Sym), who however doesn't see more in her than a temporary affair.
The Stranger 1931
The Prince's Child 1927
Based on the operetta of the same name.