Poly-Son-Post-Production

Marie lives alone with her 16 year old son. She struggles to get by with this teenager who gets deeper and deeper in violence and juvenile delinquency. Speaking sentimentally, things are not going better: the relationship with her lover has come to an end. It may seems depressing, but Marie doesn’t give up, even if love seems to be an inaccessible dream. But love, there is. We can feel the affection of this mother for her troublesome child, thanks to Mathilde Seigner, who gives an astonishing performance. A subtle directing, a strong and captivating story, in short: a must see.

Centers on the Klein family, who live in a remote house in the mountains. Considered the black sheep, youngest son Jean is thrown out. Angry and threatening, he arrives at Nils and Ida's chalet for a hunting expedition. The next day, he learns how to kill. The following night, his mother's car is set on fire and he is blamed. He disappears into the mountains with a gun. On the third day, it pours down with rain and, in the evening, a storm brews. Shut up in their house, the Klein family await with dread the return of Jean, who will challenge them, weapon in hand.

A man washes up on a beach. He saves a foreign woman and together they flee into nature. There they discover that the beauty of the environment only distracts from the growing threat. Behind the serene greenery hides death and destruction. Where did they end up? The present and past of the country merge imperceptibly into one another. This is a battle of all times, with the landscape as a silent witness.