Back in 1959, air hostess was considered one of the most glamorous and privileged occupations for young girls with a dream. This first colour production of MP & GI details the ins and outs of the profession and takes the three lead actresses, Ge Lan (Grace Chang), Julia Ye Feng and Dolly Su Feng through a series of tough training. After their graduation, the film then brings them, and the audience, to exotic places like Bangkok, Singapore and Taiwan.
A Hong Kong historical drama
The film traces the relationships that develop between the protagonist Xu and the three women he meets, set against the backdrop of the Second World War.
Grace Chang delivers an eye-opening performance as a lusty nightclub singer climbing the social ladder in seedy Wanchai. Borrowing story and song elements from Georges Bizet’s CARMEN, this Wong Tin-Lam directed musical has flair and polish to rival Hollywood, and a superstar leading lady that would any film industry would have a tough time matching! A key film from the celebrated Cathay Film Studios.
Wang Xinglian returns from her studies in Japan to visit her father in Hong Kong where she has an encounter with the young Japanese Hasegawa Toru. The two meet again and fall in love in Hokkaido when Wang and her best friend Sugimoto Kanako are going on a holiday. Urged by her friend Zhang Yingming to concentrate on her studies, Wang remains ambivalent about the relationship, and is even more upset to realise that Sugimoto is in love with her fellow countryman. Feigning an engagement with Zhang, Wang initiates a break-up with Hasegawa and finds work in Singapore after graduation. Hasegawa learns the real cause of the break-up from Sugimoto in Hong Kong. A frenzy search finally leads to a reunion and a proposal in Kuala Lumpur. However, their love is doomed by a twist of fate as Wang must leave to see her desperately ill father in Hong Kong while Hasegawa has to leave for America to pursue his career.
Chen Liujin and Zhang Lihong have a chance encounter with Wang Shu and Li Rong during an outing to the beach. Chen admires Wang, but Wang has fallen for Zhang's charm; Zhang fancies Li, whose heart is set on Chen ironically. The two young men seek to approach their objects of affection on the pretext of inviting the dream date of each other to an outing in the country during which they are teased and made fun of by the two women. To wipe away the shame, Wang and Li plot to intoxicate the women, who pretend to be in a drunken stupor while calling for help from their uncle and father respectively. In front of the elders, Chen declares her love for Wang, and Zhang for Li. Hit with the realisation of the women's sentiments, the two men reciprocate their respective admirers with their well-deserved love.
A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.
Hong Kong drama directed by Wong Tin-Lam.
The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.
On her mother's order, Luk Wai Wai goes to the Shi family to serve her eccentric aunt, Mrs. Shi, but she accidentally witnesses a murder and is almost killed by the murderer, Tam Pak Lam. The murderer, Tam Pak-lam, is almost killed by her. In order to avenge his father's death, Tam Pak-lam sneaks into the Shi family to carry out his murderous plan.
FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.
The Kong family has four daughters. Hilda, the eldest sister, assumes the role of a mother and often lets romance slip by. Third sister Hedy introduces her to Sun Ruhao, an engineer, but Sun is snatched by second sister Helen. The youngest girl Hazel drops out of school in pursuit of love. Hedy shows no interest in romance but is chased by a rich heir, He Yan. Meanwhile, Hilda runs away to meet her true love in a foreign land. As for Hedy, she is at last won over by He.
Romantic melodrama set in contemporary Hong Kong, Japan and Laos. Hiroshi Tanaka (Takarada) is a Japanese journalist on assignment in Hong Kong who meets and falls in love with Wu Li Hung (Ming). He proposes to Wu Li but she rejects him because of her distaste for mixed marriages (her mother was Japanese but deserted her family and returned to Japan during WWII). Tanaka locates Wu Li’s mother and unsuccessfully tries to reunite them, but eventually Wu Li accepts his proposal. A joyous Tanaka flies off to Laos to finish an assignment but on the eve of his wedding he is killed there.
Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.
Devotion, should be grim enough a lesson for my teenager in love. Little Kitty Ting Hao suffers due to social evils that ruthlessly rob her of the inalienable right to marry Chang Yang, the man she loves. Her incidental misbehaviour with Chang, which leads to the birth of a fatherless baby, does the final nailing of her coffin. Fortunately their daughter is intelligent and strong enough to be the master of circumstances and fights for her own love.
Musician Sun Ping is estranged from his wife. Second daughter Yinzheng lives with Sun while eldest daughter Jinliu follows her mother. By coincidence, the sisters both enter the 'Calendar Girl' pageant but Jinliu deliberately lets her sister win the contest. Later, the sisters and Liu Bucheng perform in Sun's musical show. Though the show is a success, Yinzheng decides to quit in order to get married. Not wishing to disappoint their father, Jinliu devises a plan to make Yinzheng stay on, but the plan misfires. Yinzheng leaves angrily. She is at last brought back to the show due to Liu's mediation. The elders also reconcile as the sisters perform together on stage.
Tso Kea was adroit in adapting film and literary classics from the West, organically transplanting stories and characters onto Chinese soil and nurturing them to glorious fruition. Love Lingers On is based on the gothic novel Wuthering Heights and Tso shepherds Emily Brontë's tale of profound passion, thwarted love and bitter vengefulness with a perfect balance of broad narrative strokes and delicate orchestration of mise-enscene. He wisely concentrates on the lead characters' simmering mental troubles, greatly enhanced by stars Cheung Ying and Mui Yee, who overcome glaring age differences with their characters to bring life to this saga of vivid emotions.
