Eesti Telefilm

Based on the tales of Chinese writer Pu Songling, the film depicts the romantic relationships of a Chinese student with an undead girl and a fox spirit maiden. Rainer Sarnet's diploma film.

Mermaids and humans have crossed paths throughout millennias.Their generally peaceful coexistence is described in naiadological literature, as well as in the folklore of many nations. Our mermaid people are poetic and mysterious - we meet these gentle and femininely charming creatures in nature and in the everyday life around us. The film follows the principles of scientific lyricism, and takes the viewer through the history of naiadology and introduces the main types of mermaids. The mermaids were captured in beautiful places in Estonian waters.

A musical comedy about singer Toomas Aringus and rally driver Mati Uibo, whom journalist Tiina Salum considers to be one and the same person due to their external resemblance.

The small town of Iisaku in the middle of the large forests behind Alutaguse has long been known for its lively spirit and cultural-minded sense of life. The people of Iisaku talk about its past and present.

On a nice summer day a funny little car rolls over a peaceful farm yard of Muhu island. The family that withdraws from the vehicle is quite odd-looking: an overbearing madam, a henpecked stammering husband and a mystical red-head. They announce that they want to spend their vacation in the farm ... "We are from capital, we will pay". This quiet vacation turns out to be a frantic day with romance, unexpected turns and fisticuffs between suitors.

A group of sleepless nerds should be taken into sanitarium for hard-therapy. They are taken to a lonely island but no sanitarium is in sight. Suddenly turns out that the nurses have kidnapped the men and are about to give them the only useful medicine they need - fresh air and work. But the patients decide to disobey. There's only one solution - to escape.

Among Tooming's filmic works, Endless Day provides perhaps the most eloquent material for investigating the radical renewal of visual and narrative form, as well as the shifting registers of spatio-social portrayals and critiques in Estonian cinema. It was banned in 1971 and ordered to be destroyed. However, the film was retained and restored in the 1990s.

In Paradisum relates two disturbing stories simultaneously. The female narrator tells her personal tale of imprisonment as the wife of the notorious Estonian serial killer, Andreas Hanni. Although her story is bizarre, it touches familiar themes that run throughout modern life: the desire to be loved and the fear of being alone. Pille Hanni's tale unfolds over cinema vérité images of life in several Estonian prisons. At times the images reflect in a literary way the events of the narration, yet they are representations and impressions, rather than traditional documentary style footage of the people involved. This opens the story to a more general interpretation, often with unsettling results. The parallel contents reveal, at two levels of story and social organisation, how the bizarre and inhuman can be tolerable and even addictive in the face of our fears.

"Tractus stellae – Herodes and the Three Wise Men", a liturgical drama based on the 11th Century manuscript, comes alive through images. The story of the birth of the holy infant in manifested through musical visions about king Herod and the premonition that the new king is about to be born in Judea. Performed by the band Hortus Musicus.

One lovely day a young man, a former ballet dancer suddenly finds himself on a pension and begins searching for a new place in life. Fate brings him together with a rather mischievous young day for whom her mother has been trying to find a tutor. Many exciting events begin to take place.

The story of a young art student who goes to the countryside for a summer internship in watercolor and rents a room in a house by the sea. Conversations with an old housekeeper and meetings with an initially somewhat fussy and naive girl draw one summer in the life of a young man. Whether it's a girl's going to university, meetings with people from a beach village, or an old woman's reminiscences of past times, something about these topics has an enlightening effect on the young man. At the end of summer, a young man's eye and weather view is brighter and wider. It is a lyrical and tender story of the beginning of young love and the life experience of a fading Estonian generation.

The movie travels through the 20th century by monitoring a steam boiler. We see the history of Estonia through life, agricultural work and people at different times.

Karlsson is a very short, portly and overconfident man who lives in a small house hidden behind a chimney on the roof of a very ordinary apartment building on a very ordinary street in Stockholm. When Karlsson pushes a button on his stomach, it starts a clever little motor with a propeller on his back, allowing him to fly. Karlsson is the best at everything, at least by his own account. In actual fact there is one thing at which he excels: being a playmate to a young boy named Svante, nicknamed Lillebror (little brother), who lives in the apartment building with his family. Karlsson is quite mischievous, often getting Lillebror in trouble, but everyone in the end – even Lillebror's family, his cranky uncle, and their dour housekeeper – grow to like Karlsson and appreciate his sense of humour, energy, and good nature.

A story about young people and heartache. Youth — a sense of strength, but not yet a sense of responsibility, often leads to thoughtlessness. Gradually, this accumulates into a debt that has to be paid in life. A philosophical reflection on a young man aims to recognise this debt so we can think about it from early on.

The film based on Eno Raua's stories "Päris kriminnene lugu" and "Telepathic lugu" takes the viewer to a summer town in Estonia, where boys and girls meet with exciting adventures, dreams and falling in love. There are no real forensics and telepathy here, but it is about the disappearance and finding of a little boy. In addition to adventures, the main characters find something else - both in life and in themselves.

A three-act film-essay about memory and the historical-cultural ties of the Finno- Ugric peoples. The first chapter is dedicated to ancient Bearese of memory, such as Karelian cliff drawings, Kalevala runo song and Khanty bear feast rituals. the second act portrays the visit of Elias Lonnrot, compiler of the Finnish national epic Kalevala, to Estonia and his meetings with local intellectuals. Part three re-enacts an ancient smelting and blacksmith ritual set to Veljo Tormis' cantata 'curse upon iron'. Filmed in 1985 in Uhtuo, Karelia; in Khantia-Mansia at the Agan river, a tributary of the Ob; and in Estonia (Tallinn, Kuusalu, Tartu, Voru, Litsmetsa in Voru county, Lullemae, Karula, Rongu, Narva, and at a bend of the Pirita river). The third documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

Based on Jaan Anvelt's novel "Outlaws" which deals with the struggle of the Estonian Communist Workers' Movement and the life of revolutionaries in the Republic of Estonia in the 1920s. The film represents the maturation and decay of human soul in tense situations. The dark intersections and the dense, abandoned areas create a tumultuous tension field in which the characters find themselves. Their choices and decisions overwhelm them in one way or another. Where is the way out?

In September 1944, Estonia is on the brink of being released from under the occupation of Nazi Germany only to be seized by the Soviet army. This film follows the destinies of two women - Maarja and Leeda - and two men - Gert and Mati - under the harrowing influence of war and foreign occupation.

Arvo Pärt is regarded as one of the most original avant-garde composers. This documentary shows Pärt as a deeply spiritual man whose work is bound up with his religious beliefs. Both he and his music defy classification, and he is determined to preserve his aura of mystery.