Sharon is a noted psychiatrist whose material ambition has turned her into a neglectful mother. But once her daughter Jenny develops seriously nutty behaviour – and ghostly sightings begin to plague their spacious mansion – Sharon loses her grips on reality, eventually turning to a Catholic priest/exorcist for help.
An artist named Jiajia promised to show her girl friend Wei Ling around in Japan but eventually fails to show up for no reason. After Wei Ling goes and gets accommodated in a family-run hot spring hotel of Shimizu, Jiajia's Japanese boyfriend, she begins her endless weird experience as if she's haunted, and the hotel even sinks into a series of horrible homicides, in which the victims are all family members of the Shimizu's without exception. Every clue found is connected to Jiajia.
Both leads give performances that go beyond their usual range in a satire that’s sometimes diverting but ultimately toothless. Entertainment veteran Shirley Yung, who directs, should know better
A hitman Jack is slowly wandering into a red light district. As he walks through the alley, everyone avoid eye contact with him because of his extremely ugly face. Ting Ting is the only prostitute that did not reject him. Jack finds a scar on the stomach of Ting Ting which was wounded by a gunshot. Ting Ting on the other hand stares at the giant lump on Jack's face without showing any sign of fear. The two of them quickly form a bond and Jack could not bear to leave Ting Ting alone. He decides to take Ting Ting out of her miserable life at any cost. From then on, their lives turns out differently.
Bo, a police detective whose life falls apart after being dumped by her boyfriend, is sent to a model agency to investigate a murder case as an undercover.
