PASTO

When Marcelo Pena finally is about to be appointed Head of the Philosophy Department, the famous and seductive Professor Sujarchuk returns from Europe to claim the kingdom for himself.

In 1934, Bolivia is at war with Paraguay. Liborio and Ticona and other Bolivian indigenous soldiers are lost in the hell of the Chaco, under the commandment of German Captain Kundt. They're looking for the Paraguayan enemy that they haven't seen for months, and that they will never find. They leave together in a search that will make them realize, progressively, the destiny they have been pushed into and the inevitable condition of a defeated troop. They're walking like shadows, wandering forever in the middle of dust and silence.

Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.

Julia is a mother, or rather, one of many mothers, sisters, daughters, colleagues, who have had their lives torn apart by the widespread violence in a country waging a war against its women. Julia is searching for Ger, her daughter. And in her search, she will weave through the stories and struggles of the different women she will meet.

After 15 years of living abroad, Amanda returns home with her French boyfriend, Martin. They arrive at her family's large-scale farm, located in a secluded village on the endless plains of southern Brazil. There, Amanda finds her father in a coma in the midst of increasing tension among the workers. The sole doctor in the nearby village is Helô, a young woman who resigns herself to caring for the local townspeople. The imminent death of the farm owner will put Amanda, Martin, and Helô at the heart of a disturbing settlement between the village and the farm owners.

A German family unravels as they are forced to abandon their farm in Entre Ríos, Argentina.

The employer is a young man who apparently has everything going on for him except one pressing concern: his baby’s health. The employee is looking for a job to support his newborn too, so does not hesitate when the first decides to hire him to work in his lands. Both will meet their needs by helping each other. But one day an accident happens. This unexpected event will strain the ties between them, endangering the fate of the two families.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

After many years away, Ariel is summoned by his distant father to his childhood home in the bustling Jewish quarter of Buenos Aires, known as El Once. Over the course of seven days, during the vibrant holiday of Purim, Ariel seeks to reconnect with his father, who runs a Jewish charity and is regarded as a big macher in the close-knit community, but was frequently absent due to his obligation to fulfill the Jewish quorum of having 10 men present at all funerals.

A couple must hold on to $100,000 for 24 hours as they wait to buy a house. As the time ticks by, the true nature of their love unravels.

Three farmers work on a farm in Entre Ríos, a sparsely populated lowland region of Argentina traversed by rivers. Their crops are affected by ‘black frost’ which threatens to destroy their harvest. One day, a young woman appears at their door; blithely and self-assuredly she begins to influence their familiar routines. The bewildered farmers yield to Alejandra’s interventions: she dons Heribertos’ dead wife’s clothes, accompanies Benigno to a greyhound race and wins young Lucas’ friendship. Shortly afterwards, the frost disappears.

After a party, Agos and Ren find themselves in a strange place where they remember to have been before… A failed world bursting with dependences and doors leading to the same yet different place.

A metaphor for a historical disagreement between ourselves. How we make each subject a tragedy. Again and again and again.