Halfaouine: Boy of the Terraces

Halfaouine: Boy of the Terraces 1990

6.50

Twelve-year-old Noura dangles uncertainly in that difficult netherworld between childhood and adulthood. His growing libido has gotten him banned from the women's baths, where his mother took him when he was younger, but he's not yet old enough to participate in grown-up discussions with the men of his Tunisian village. Noura's only real friend is a troublemaker named Salih -- the village political outcast.

1990

The Oak

The Oak 1992

6.60

A description of Romania before Ceausescu's downfall, through the story of Nela. Daughter of a former colonel of the Securitate, the romanian political police. She refused to become as her sister, an agent of this Securitate, and lives with her father. After he died, she leaves Bucharest, and ends up in a little town, where she meets Mitica, a surgeon, another herself, laughing of everything.

1992

Le Cri de la soie

Le Cri de la soie 1996

4.90

An illiterate seamstress has a powerful fetish for silk which gets her into trouble. The psychiatrist sent to help her becomes fascinated by her case and when he returns to France from World War One they fall in love, an affair that can only end in tragedy.

1996

Axolotl

Axolotl 2018

5.20

A man accepts a concierge job, which comes with a small apartment, in an old building and, locked inside his lodgings, undertakes a strange job of grieving. He discovers that behind the walls, a system of secret corridors allows tenants to be observed. But is it really the tenants that he is spying on?

2018

Journey Around My Room

Journey Around My Room 2008

6.20

The camera slowly pans through a room as Smolders offers various observations and memories.

2008

Thoughts and Visions of a Severed Head

Thoughts and Visions of a Severed Head 1991

5.00

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

1991