A woman threatens to jump off a crane with her two young children in order to secure affordable housing. Won Golden Bear for Best Short at the 1985 International Film Festival Berlin.
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
Story concerns two friends, Freya and Irmtraut and their relationships with the same man, Traugott, who finds it impossible to choose between the two women.
Here is the third and last of three self-contained shorts by Helke Sander from her series of shorts entitled From the Reports of Security Guards & Patrol Services . BTW the numbering of the parts is a bit confusing, the only existing parts of the series are No. 1,5 and 8.
The 2nd of three self-contained shorts by Helke Sander from her series of shorts entitled From the Reports of Security Guards & Patrol Services.
A documentary essay on the 1960s women's liberation movement in Germany and it's developments and conflicts through the following decades.
Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.
At the end of the 1960s a young woman lays the foundation of the women's movement. As well as political initiatives against male dominance, a detailed picture is drawn of society, which establishes the women’s motivation.
A woman from a big city moves to a small village near the former border zone between East and West Germany. What is she looking for? What will she encounter? Rural life in the era of globalisation turns into an adventure. History lives in objects, stories and customs here since it was first recorded 800 years ago. Wars and famines have left their traces, just as churches, political parties and various forms of government. The change of the times, structured by television, has almost obscurely changed the old rhythms of life; supermarket offers changed eating habits and food stock economy. Is it folklore nostalgia or a matter of preserving one’s way and quality of life to keep the old customs and habits, such as preserving old types of plants and boiling down cucumbers? The village - a mutual exchange of experiences and garden products. The village is like an onion: it shows ever new surprising layers and leads us deep into unwritten pasts.
A documentary with fictious elements. Ms. Elisabeth (Lieschen) Müller from Austria comes to Bonn, Germany to find herself a man. During the search she investigates the connections between neckties, political power and prostitution, and tries to look for the influence the german feminist movement had on the men in Germany's capital.
