Dubai-based criminal don Uday takes it upon himself to try and get his half-sister Sanjana married - in vain, as no one wants to be associated with a crime family. Uday's associate and best friend Majnu finds a well to do, nice young man, Rajiv, who lives with his maternal uncle and aunt - Dr. and Mrs. Ghunghroo. Through extortion he compels the Ghunghroos to accept this matrimonial alliance. With no escape from this predicament, the wedding is planned, with hilarious consequences.
Born lucky, Karim Moussa takes to exploiting it instead of focusing on studies. Now a wealthy gambler, he decides to recruit about a dozen lucky people to participate in a deadly game of survival.
Indian mother Mrs Sethi's obsession with marrying off her daughter turns murderous. With jokes that routinely miss the mark and cringeworthy slapstick, this black comedy farce shouldn't work. Somehow, though, it does.
The film is about three close friends, each one having a different perspective about marriage. Govinda plays a divorce lawyer in the film who doesn't believe in marriage and is a Casanova of sorts. Khan plays a character for whom being in love matters most and D'Souza plays his love interest. Kapoor plays a Gujarati who believes in the system of arranged marriage and Desai plays his Gujarati wife.
Rishi Sharma and his wife, Simi, are hoping for news of a baby when their friends Samit and Mita call them together. Shockingly however, they are announcing their separation.
Amidst strictly enforced curfew by Bombay Police during December 1992 following Hindu-Muslim riots, Suryakant - one of four siblings from Malad's Malvani slums, heads home.
Vishnu has a bleak future before him, he must join his father in the family's oil business and try and boost the sales of the stinking oil in small town India. He sees his chance to escape by offering to transport a ramshackle truck, with a make-shift cinema, to a distant museum that lies across the expansive desert of Kutch. His companions: a chai-wallah chokra, a gypsy girl and a burlesque mechanic.
Armaan's (Arshad Warsi) life is picture perfect; a loving girlfriend and a great job as a fashion photographer. The truth is that he hears voices - voices that torture him, voices that don't let him have his peace, and voices that nobody else can hear. What is even more puzzling is the fact that he talks to himself...or rather, to people, whom no one can see!
The story of a Parsi boy's view of his community in modern day Mumbai.
This film is a story from the Mahabharatam where Draupadi, the wife of the Pandavas, resists the advances of Keechaka, a lustful general in the court of King Virata. The confrontation leads to Keechaka's death, highlighting Draupadi's resilience during the Pandavas' exile.
