National Cinema Centre of Armenia

After the devastating Spitak earthquake of December 7th, Konstantin Berezhnoy, a 50-year-old Russian, and Robert Melkonyan, a 28-year-old Armenian, work together to rescue the desperate survivors.

The author of the film decides to leave the country where she lives, in connection with the outbreak of the dramatic events, and return home to Armenia in search of a worthy example and solutions on how to live on. Paradjanov's house becomes a place of inspiration and a point of no return to toxic reality.

Arthur is a successful attorney. He doesn't care who is defendant is - an innocent person or a jerk. His sole goal is winning. He considers life to consist of predators and prey. He is committed to never be the prey.

Yeva is a young woman who escapes her influential in-laws with her daughter Nareh, after her husband’s tragic death and takes refuge in one of the villages of Karabakh, Armenia… Yeva is a complete stranger in this village and is obliged to live her daily life in disguise.

Two totally different people; a Tourist and a mysterious hobo like stranger meet on a train. Tourist starts to imagine who might be this strangely dressed up guy. Eventually it turns out what the Tourist imagines about the hobo guy is not actually a reality. People generally tend to imagine firstly negative and grotesque about the person next to them that usually do not match the reality, but it still might contain some pieces of the truth...

The film is an experiment. An apolitical film about a political event. After the collapse of the Soviet Union in 1988, Armenia has entered a new era of democracy after the independence movement and the victory of the Karabakh war. There was a terrorist attack on parliament in 1998. In 2008, there was a nationwide movement, which ended with the murder of ten people. In 2018, people finally stood up again. There was a decisive novelty. Everyone who had a smartphone was a cameraman. The film is based entirely on authentic footage shot by these willing cameramen.