Frameline

This film skewers the audience's prejudices when the subtitles abandon their usual chore of translating what is said and start talking directly to the audience.

When director Sharon Shattuck's father came out as transgender, Sharon was in the awkward throes of middle school. As the Shattucks reunite to plan Sharon's wedding, she seeks a deeper understanding of how her parents' marriage, and their family, survived intact.

Ricardo was once Sara, a homeless HIV positive transvestite, living in the underbelly of Manhattan. Today he is a churchgoing, married man, "saved" by a Dallas ministry. He has renounced his homosexuality, but is his conversion complete? Susana Aiken and Carlos Aparicio offer an intimate look at Ricardo's transformation.

It's the 1990s. Toby, just out of college in Wisconsin, comes to Manhattan to spend the summer with his older cousin, Packard, a gay man whose lover John R. has just died of AIDS. Toby is shy, the openly-gay society around him makes him nervous. Packard gives Toby a pair of John R.'s shoes; when Toby puts them on, he has powerful visions of the pre-AIDS scene in the 1970s, as if he's there. He also takes on a different personality when he wears the shoes, more sure of himself, able to express his interest in men. Wearing the shoes, Toby goes to a bar, hooks up with Dick, and wakes up in Dick's bed. How will he handle it? And what will happen to the shoes?

The film examines the ways that women directors have contributed to this genre and emphasizes the role that the media play in representation of sexuality and gender, underscoring the power that film has to shape our perceptions of one another. Visually, this documentary comes to life on screen through compelling and intimate original interviews, intercut with emotionally-charged archival footage, photographs, ephemera, inspired music, and film clips.

Lying in the haze of an underground Gas Den, Pandora, the last of the Drag Queen Cosmonauts, tells the tale of her journey out beyond the orbit of Neptune.

Brought to life with archival footage, animation, and interviews with collaborators and friends, this sweeping documentary uncovers the impacts of Hank Wilson’s efforts in AIDS service and queer youth organizations, cultural outlets, and San Francisco politics.

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

Alan B. Stone: astute businessman, quiet suburbanite - and master of the homoerotic pin-up. Eye on the Guy: Alan B. Stone & the Age of Beefcake explores the little-known world of Montreal's physique photography scene - a distinct gay subculture that emerged in the '50s and '60s - through the life and work of one of its most creative figures. Before the first wave of gay liberation, and long before Calvin Klein's poster boys marched into public view, Stone was taking hundreds of erotic photos of men and running an international mail-order business from his Montreal basement.

Following the debate over California's Proposition 8, this short film is an exploration of how modern American families are constructed, not only those within the LGBTQ community.

Framing Lesbian Fashion looks at the evolution of lesbian attire and identity – butch/femme, flannel, androgyny, cross-dressing and drag, queer fluorescent, S/M and leather, lipstick and more.

Inspired by a collection of personal notebooks, this feature-length director’s cut of the short film by the same name is an experimental documentary on art, AIDS and activism. Following James Wentzy from South Dakota to New York City, the film traces his days from struggling and surviving as an artist to later becoming an AIDS video activist. In showcasing a unique individual through his involvement with the fight against AIDS and his tireless frontline reportage of the crisis, The Books of James is an intimate portrait of a neglected everyman/hero and unearths a time now forgotten.

The misadventures of the gay experience come to life in these 7 award-winning shorts—from awkward threesomes to dubious dating etiquette to the trials and tribulations of shopping excursions. Includes: Alaska Is a Drag (2012); Bald Guy [Skallamann] (2011); Housebroken (2013); P.D.A. (2013); Sabbatical (2012); Spooners (2013); Unanimated [Desanimado] (2011).

On his way to the airport, Sebastian gets a call from his lesbian friend, Cathy, who has just had a baby. Sebastian is only the sperm donor, but now Cathy wants him to take a more active role in his baby's life.

Moroni Benally is running for the presidency of the Navajo Nation, the largest Native American nation in the U.S. Young, gay, Mormon, and highly educated, he sets out to confront the political establishment in a homecoming that challenges what he both imagined home, and himself, to be.

Alex and Gershon are both playwrights and lovers. Although Gershon is older and they are not both sucessful, they manage to maintain a long term relationship.

Documentary about the first gay prom in America, that took place in West Hollywood, promoted by students of the EAGLES center, an alternative high school.

Six deaf performers-three women, three men- are brought together to devise staged pieces based on their experience of gay and deaf cultures intersecting, and the highly politicized nature of both in Britain. The result is a diverse, assertive collage, ranging from advice on how to seduce a librarian( in silence, of course), to the importance of short hair in visibly proclaiming your lesbianism and deafness: plus an essential beginner's guide to sexual signing. Shot entirely in British Sign Language with subtitles for the hearing.

Not Gay is a compilation of 4 short films exploring the joys and frustrations of gay / straight friendships. Includes: The Best Men (2007); Float (2007); Cowboy Forever (2006); Katydid (2004).

From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life. Interviews with lovers, family and friends--including some of the most important people in Israeli cinema--tell the gripping story of a strikingly handsome, charismatic and deeply passionate gay man who has become a revered cult figure in Israeli cinema.Interviews with the late filmmaker and fascinating footage of him on the set convey the same passion that comes through in scenes from his films, lovingly selected by documentarian Ran Kotzer. Like Fellini, Guttman transformed his dreams and everyday conversations with friends and family into integral parts of his pictures. He is most remarkable for his striking and original use of the frame. Every shot is a treasure. Amos Guttman dared to portray subjects that were taboo in his society, and his search for the right of individual expression is the connecting link of his works.