Potterton Productions

The embodiment of ultimate evil, a glowing orb terrorizes a young girl with bizarre stories of dark fantasy, eroticism and horror.

In Montréal, Jean-Pierre is fired on the set of a TV commercial where he's an apprentice technician. He's penniless, behind on his rent, with a thin resume and no college units. He has a fiancée, Michelle, but his head is turned by a free-spirited model, from the U.S., who saw him being fired and comes to his flat to apologize. She's Elizabeth, a combination of feckless innocence and sexual freedom. Jean-Pierre borrows money from his outlaw friend, Dock, and buys clothes to impress Elizabeth. Soon he's sleeping with her, and he pulls a theft with Dock to get money to take her to Acapulco. Michelle tries to bring him back to her orbit. Is there a way out for Jean-Pierre?

A royal statue makes friends with a small swallow.

A giant builds a wall to keep children out of his garden, but then winter sets in permanently. Children's classic story by Oscar Wilde.

Struggling to subsist on negligible and infrequent gold discoveries, prospector Ralph Logan crosses paths with Mazella, a New York City drifter with a three-wheel motorcycle and plenty of time on his hands. After introducing his new acquaintance to the practical but volatile Gladys, Logan suggests the trio join forces for a mission deep into the mountains of British Columbia in search of his father's elusive stash of gold.

An animated version of the Oscar Wilde story about a conceited firework rocket, whose pride hides his downfall in the world.

Canadian filmmaker Gerald Potterton utilizes extensive footage from the Soviet adventure film Dr. Abolit in his Tiki Tiki. Abolit boards a rocket with two monkeys and blasts off into space, bent on rescuing a group of monkey kids from extraterrestrial bandits. Framing the live-action storyline are a few animated cartoon sequences involving the efforts of a producer to sell his concept to an apelike movie mogul. This device works as effectively here as it did thirty years earlier in W.C. Fields' Never Give a Sucker an Even Break. As a payoff, the studio boss is revealed to be King Kong, who sees a lot of potential in a story about heroic simians. (allmovie.com)