This film is about Chandidas, a legendary 15th-C. Bengali Vaishnavite poet whose biography remains obscure but was an influence on the better documented Chaitanya (1486-1533), a school teacher who promoted the Vaishnavite ideology in Bengal, mostly through hymns about the Radha-Krishna legend.
Set against the backdrop of WW II in Calcutta, "Meri Bahen" is the story of a schoolteacher and his young sister. The film followed his rise to fame as a singer and the changes in his relationships following a bomb-raid.
Roop Kumari (Leela Desai) a famous court dancer is forbidden entry into a temple monastery run by a strict disciplinarian Priest. The cast listed here is for the Hindi version, there is also a Bengali version with a different cast, but same director and release year.
Classic celebration of Mithila's King Shiva Singha's (Bannerjee/Kapoor) love for his wife while chronicling the influence of the pacifist court poet Bidyapati (Sanyal). Invited to the royal court by the king, Bidyapati arrives with his faithful follower Anuradha (Kanan Devi). Queen Laxmi (Chhaya Devi) falls in love with the poet, much to the distress of the king. The king falls ill and starts neglecting his royal duties until Anuradha persuades him that true love does not need reciprocation. The queen, equally distressed by her divided loyalties, contemplates suicide, encouraged by the prime minister who is worried by the nefarious impact of Bidyapati's poetry on the king.
In a family where relations have deteriorated to the worst level, even affecting professional lives, an outsider tries to rebuild the lost love and compassion.
A drama set amid an earthquake in Bihar. Miss Renee (Khote) looks after the victims while her lover, the businessman Sardar (Mohanned), wants to make money from the disaster.
This is the story of the wanderlust in a teenage boy, Tarapada, who often ran away from his home for days to join groups of wandering players, musicians and acrobats. Based on a story by Rabindranath Tagore.
Badi Bahen aka President is a 1937 Hindi social romantic drama film (the Bengali version was called Didi and starred several different actors). The story according to the credit roll of the film is "A tale of love and greater love" developed on an idea by M. M. Begg. It was a love triangle with a social content that highlighted the conditions of the mill workers. It was also the first film to show a liberated educated woman managing her own factory
Melodrama about lineage and property questions. Nikhilesh (Barua) loves heiress Indira (Jamuna). A poor orphan girl, Radha (Menaka Devi), arrives claiming to be Indira's stepsister and therefore part inheritor of the family estate. Indira agrees to share her inheritance but then Radha makes a play for Nikhilesh. Ultimately, Radha turns out to be the real and sole heir. Love proves to be stronger than material possession as Indira and Nikhilesh get married and Radha finds happiness with Ratan, a man she had known and loved during her days of poverty. As each character returns to the class of his/her birth, the message hammered home is a warning to people never to transcend their social status.
A 1953 Bengali Drama Film directed by Subodh Mitra.
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a tawaif.
It was 1943. Burma was under Japanese control. In Pegu, a small place near Burma lived two Indian families. They were neighbors Kumar and Lata loved each other. Their parents were also willing to see them engaged. Suddenly one day, it came out in the news paper the Netaji Subhas Chandra Bose had called on the people to give him blood so that he could give them freedom. Kumar was reluctant but later on he decided to join the INA.
A remake of the Bengali film Bhagya Chakra, it was the first Hindi film to use playback singing. It was director Nitin Bose who came up with the idea of playback singing.
Adapted from a story by Kazi Nazrul Islam this film concerns love and revenge among a tribe of snake charmers led by Jahar (Nawab) who is searching for his 100th poisonous snake so as to show how he can magically cure its deadly bite.
A father worries for his younger son and asks his elder son to promise that he will do everthing in his power to ensure Arun does not go astray, educates himself and becomes an independent man. However, fate has other plans. When Arun commits an unthinkable crime, his brother fulfills the promise made to their father and shields his younger sibling from all harm.
Suren, prevented by his family from pursuing a university career, leaves home and becomes a tutor to Pramila. He falls in love with her widowed elder sister Madhavi who, although returning his love, has him sacked to save the situation.
The story revolves around the 15th century poet-saint Chandidas who acts out against the deep-rooted bigotry against caste, untouchability and the hypocrisy of society, as he falls in love with a washer woman.
When a local mining company dares to provide its workers a fair wage for a fair day's work, and lets its workers unionize, the kingdom's villainous potentate is less than pleased. After considerable pressure, the company agrees to blame unrest in the region on a blameless worker collective.
This classic adultery story tells of an artist, Prasanta (Barua) presented in the stereotypically romantic image: dedicated to his vocation, paying no heed to his scandalous reputation (he paints nude models) and with a cavalier attitude to his conservative father-in-law's (Choudhury) demands for a good social behavior.
A simple recording of Tagore's 1926 dance drama on Buddhist legend.
