Cleopatra Entertainment

An anthology, based on the comics of the same name by Glenn Danzig, in which the erotic and horrific combine to create multiple ghoulish tales of bloodlust, murder, the occult and the forbidden.

On Halloween, an all girl rock-n-roll band called “Kill Pussy Kill” ventures out to play their biggest show to date. However, before hitting the road they manage to unwittingly upset a man. Unfortunately, this man turns out to be an evil genius dead set on revenge. The evil genius manages to lure the girls into his Hell House and when they wake up from being gassed, they find themselves trapped inside an inescapable room filled with a vicious variety of devices that can kill them as well as a variety of weapons that can be used on each other. The rules are simple: advance through all three rooms and you are allowed to go free. The catch is, in order to make it to the next room, someone must die!

Famed rock and roll guitarist Johnny Thunders arrives in New Orleans to get his life together after a toll of hardships, but instead falls into a dark journey and trail of events that are based on his real life unexplained mysterious death.

When conspiracy theorists raid the famous military base Area 51, an alien warrior uses a power glitch to escape from captivity which attracts the attention of her arch space rival. Now she must find her way back home.

From iconic guitar player to construction worker, Chris Holmes has lived a life of highs and lows. After losing publishing rights of his own songs and dealing with addictions, the ex-W.A.S.P. member has had to start from scratch living in his mother in law's basement in Cannes, France. He is now ready to take on Europe with his new band. As we follow him along, he meets many fans and proves that he still is the showman he was as a young and famous rockstar. This musical journey draws parallel stories of the rise, fall, and rebirth of Chris Holmes with archives, live performances, interviews, and behind-the-scenes footage.

Cocaine, Cash and a Crew filming a horror movie in the mysterious woods of northern Pennsylvania clash when an unexpected visit from a Werewolf literally enters the picture.

John Brock is a down-on-his-luck archaeologist who returns from an expedition to the caves of rural Kentucky after unsuccessfully trying to locate a mysterious relic that his family has sought for generations. Upon his return, John starts to see dream-like visions of a ferocious bird-like creature from ancient folklore. John soon learns that the cave he came into contact with on his last expedition was indeed the cave that contains the relic and also a portal to Hell and a place of worship for the Occult. John discovers that the only way to stop the increasingly realistic visions is to go back to the cave with his family, find the relic once and for all, and destroy it.

Anti-Nowhere League: We Are The League tells the full uncensored story of how a biker, a skinhead, a grammar school boy and a Persian exile came together, with no musical talent or ambitions and even less respect for anything or anyone, to burst onto the UK charts with their debut single. Even when judged by the often confrontational standards of U.K. punk, the Anti-Nowhere League were a band committed to offending people. Looking less like a group of bohemian rebels than an especially unsavory biker gang eager to stomp someone, the Anti-Nowhere League made an immediate impact when they burst onto the British rock scene in 1980. They were heroes to hard-boiled U.K. punks, and to nearly everyone else they were an affront to all decency - which, of course, made the punks love them all the more.

Russian activists Nadezhda Tolokonnikova and Ekaterina Samutsevich decide to separate from the well-known activist group Voina and create their own group named Pussy Riot that would express their ideas of female independence, combining activism, feminism, and punk rock music. Their defeat in court becomes their moral victory, as Pussy Riot are cheered on by thousands of their new-found fans.