Klíčové slovo Maghreb

1516, Legenda praví, že alžírský král měl ženu jménem Zafira. Když pirát Aroudj Barbarossa přijíždí osvobodit město od Španělů, je odhodlán dobýt nejen Záfiru, ale i samotné království. Je však Zaphira ochotná mu to dovolit, nebo spřádá plány sama pro sebe?

Unikátní výprava Yanna Arthuse – Bertranda a Yazida Tiziho na sever Afriky... Nezapomenutelné putování tajuplnou zemí, která na severu sahá až ke Středozemnímu moři, ale na jihu se již hluboko zakusuje do africké pevniny. Dechberoucí letecké záběry a emotivní komentář nabízejí pohled na úchvatnou krajinu, historické památky i neobyčejné lidi, jež obývají tento rozlehlý stát. Dokument představuje středomořský sever, pláže, poklidné zemědělské pláně, nádherná pohoří a náhorní plošiny, ale opomenout nelze ani prostředí zcela odlišné. Tím jiným světem je poušť Sahara. (Česká televize)

Through the fictionalized lives of two young Saint-Simonians, this television film presents the history of French colonization in Algeria from 1837 to the end of the Second Empire.

In 1939 in eastern Algeria, Omar, a young boy of ten, lives with his family in a room in Dar Sbitar, a house shared by several families who overcome the trials they go through every day to ensure their subsistence. Her deceased father is Aïni, the mother, who bleeds herself from all four veins to keep her children and their grandmother alive. The families of Dar Sbitar share their intimacy and their daily life, this life animates the big house, which itself becomes a character in its own right. "El Harik" (The Fire), is an Algerian drama series in 10 episodes adapted from Mohamed Dib's trilogy "The Big House", "The Fire" and "The Loom".

What musical genre can claim to have gone, in the space of fifty years, from a hidden cabaret in Oran to Super Bowl halftime? Born in Algeria at the end of the Second World War, the raï wave spread from the cabarets of western Algeria to the cassette shops of Barbès in Paris, before sweeping the world at the end of the 1980s. its hybridization, the intoxicating music traveled from Algerian and French weddings to the biggest international stages, before suddenly disappearing from the radar at the dawn of the new millennium. Icons that have disappeared, including Cheikha Remitti and Prince Hasni, to young heirs, passing by the star Khaled, the collector Hadj Sameer trace the tumultuous course of this musical genre, between clandestinity, planetary glory and resistance.