Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.
Eugenio offers his childhood friend Martin a work for the summer. With a game of power and desire a relationship starts to grow that goes beyond their friendship.
Bruno's plan to win back his ex-girlfriend hits a snag when he becomes attracted to her boyfriend.
Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.
A butterfly, a creature symbolising rebirth and a new beginning, epitomises Romina’s and Germán’s world, a world that consists of two parallel realities. In one of them they grow up as siblings who desire each other and try to give shape to their love without sexual fulfilment; in the other they are a young man and woman who form an awkward friendship instead of succumbing to their feelings for each other. Germán finds himself in a discordant relationship with Mariela. Mariela’s brother is interested in Bruno. Bruno is with Romina, but wants to be with Germán. Playfully alternating between these two realities, the lovers find themselves drawn into ever new couplings in order to explore their intuitive feelings – cautiously, but at the same time prepared to lose everything.
The portrait of a man and his attempts to make things up with life after losing his job.
At a tabern in the argentine interior, xenophobia among gauchos is in charge of blurring the line between the law and the trap.
In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.
In 1977, when she was four years old, Albertina Carri's parents vanished without a trace, victims of Argentina's brutal military junta. In this fresh and politically daring film, the young Argentinian filmmaker attempts to unravel the mystery, piecing together her memories and fantasies in a quest to understand her parents' untimely fate.
In a building where silence and order usually prevail, Estela tries to sleep, unable to doze off due to the passionate nights of her young neighbors. Tired of their disrespect, she calls for a consortium meeting to decide the couple's new fate.
Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."
A married woman with a mute daughter has a forbidden relationship with the single father of a teenage boy.
When his pet is killed by a probe from earth, Mercano, a Martian, travels to earth angered. Landing in Buenos Aires, at first noone takes any notice of him.
Santiago, a 20 year-old twink shaped by the anonymity of the virtual world, becomes frustrated with gay dating apps and starts obsessively looking for a real experience in the Buenos Aires nightlife.
The accident leads a group of young boys from the high roofs of their neighborhood, passing through its destruction, to the deepest of the earth.
A comedy about the relationship between a modern, shy, young man and the spirit of a violent knife-killer murdered in 1920. They make a pledge: the latter will tell the former what exists beyond death if he allows him to inhabit his body for a whole day. Thus, the ghost will go around an unrecognizable twenty first century Buenos Aires to uncover the causes of his own death.
Four teenage friends go on a road trip through Argentina. On their way, they find a castle left abandoned in the middle of a forest. They decide to investigate further, only to discover it's gruesome secrets and former residents.
Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.
